High school hotshot Zach Siler is the envy of his peers. But his popularity declines sharply when his cheerleader girlfriend, Taylor, leaves him for sleazy reality-television star Brock Hudson. Desperate to revive his fading reputation, Siler agrees to a seemingly impossible challenge. He has six weeks to gain the trust of nerdy outcast Laney Boggs -- and help her to become the school's next prom queen.
A mixed-to-middling teen comedy that critics found charming in its leads but thin in its script — the Pygmalion premise runs out of steam halfway through, and several reviewers were actively bothered by the film's underlying message that a girl must conform to be desirable. Rachael Leigh Cook drew the most consistent praise, while the debate around the film's gender politics gave it a sharper edge than most dismissals of the genre.
“Rachael Leigh Cook, as Laney, the plain Jane object of the makeover, is forced to demonstrate the biggest emotional range as a character, and she is equal to the assignment.”
Gene Siskel·Chicago Tribune
“About one idea short of being an excellent teenage romance. As it stands it's a pleasing but routine effort.”
Mick LaSalle·San Francisco Chronicle
“Suggesting that Miramax needs to put Kevin Williamson on permanent retainer if it's going to remain in the teen-pics field, She's All That notably fails to bring to comedy the insight that the Williamson-penned Scream brought so memorably to horror”
Geoff Berkshire·Variety
“The rest is just breezy propaganda for American high school fascism”
William Thomas·Empire
Comedy, Romance
High school hotshot Zach Siler is the envy of his peers. But his popularity declines sharply when his cheerleader girlfriend, Taylor, leaves him for sleazy reality-television star Brock Hudson. Desperate to revive his fading reputation, Siler agrees to a seemingly impossible challenge. He has six weeks to gain the trust of nerdy outcast Laney Boggs -- and help her to become the school's next prom queen.
A mixed-to-middling teen comedy that critics found charming in its leads but thin in its script — the Pygmalion premise runs out of steam halfway through, and several reviewers were actively bothered by the film's underlying message that a girl must conform to be desirable. Rachael Leigh Cook drew the most consistent praise, while the debate around the film's gender politics gave it a sharper edge than most dismissals of the genre.
“Rachael Leigh Cook, as Laney, the plain Jane object of the makeover, is forced to demonstrate the biggest emotional range as a character, and she is equal to the assignment.”
Gene Siskel·Chicago Tribune
“About one idea short of being an excellent teenage romance. As it stands it's a pleasing but routine effort.”
Mick LaSalle·San Francisco Chronicle
“Suggesting that Miramax needs to put Kevin Williamson on permanent retainer if it's going to remain in the teen-pics field, She's All That notably fails to bring to comedy the insight that the Williamson-penned Scream brought so memorably to horror”
Geoff Berkshire·Variety
“The rest is just breezy propaganda for American high school fascism”
William Thomas·Empire
Comedy, Romance