After denying a woman the extension she needs to keep her home, loan officer Christine Brown sees her once-promising life take a startling turn for the worse. Christine is convinced she's been cursed by a Gypsy, but her boyfriend is skeptical. Her only hope seems to lie in a psychic who claims he can help her lift the curse and keep her soul from being dragged straight to hell.
Critics embraced Sam Raimi's return to horror as a gleefully unhinged blend of scares and slapstick, with the majority treating the film's campy excess as a feature rather than a flaw. The sharpest debate was over genre identity — whether it's a horror film, a comedy, or something so fused it defies either label — and a minority felt the plot's credibility and Alison Lohman's performance undermined the fun. Notably, critics loved it more than general audiences did.
“hellaciously effective B-movie [that] comes with a handy moral tucked inside its scares, laughs and Raimi's specialty, the scare/laugh hybrid”
Michael Phillips·Chicago Tribune
“Scant and barren of subtext, the pic is single-mindedly devoted to pushing the audience's buttons... Still, there's no denying it delivers far more than competing PG-13 thrillers”
Variety
“just not very funny”
Peter Howell·The Toronto Star
Horror
After denying a woman the extension she needs to keep her home, loan officer Christine Brown sees her once-promising life take a startling turn for the worse. Christine is convinced she's been cursed by a Gypsy, but her boyfriend is skeptical. Her only hope seems to lie in a psychic who claims he can help her lift the curse and keep her soul from being dragged straight to hell.
Critics embraced Sam Raimi's return to horror as a gleefully unhinged blend of scares and slapstick, with the majority treating the film's campy excess as a feature rather than a flaw. The sharpest debate was over genre identity — whether it's a horror film, a comedy, or something so fused it defies either label — and a minority felt the plot's credibility and Alison Lohman's performance undermined the fun. Notably, critics loved it more than general audiences did.
“hellaciously effective B-movie [that] comes with a handy moral tucked inside its scares, laughs and Raimi's specialty, the scare/laugh hybrid”
Michael Phillips·Chicago Tribune
“Scant and barren of subtext, the pic is single-mindedly devoted to pushing the audience's buttons... Still, there's no denying it delivers far more than competing PG-13 thrillers”
Variety
“just not very funny”
Peter Howell·The Toronto Star
Horror