The crew of the colony ship Covenant, bound for a remote planet on the far side of the galaxy, discovers what they think is an uncharted paradise but is actually a dark, dangerous world.
Ridley Scott's follow-up to Prometheus lands in a genuinely divided middle ground: it delivers the creature-feature horror the earlier film withheld, yet critics split sharply over whether that compromise actually works. Michael Fassbender's android David drew near-universal praise, but reviewers disagreed on whether the film's attempt to merge Prometheus-style philosophy with classic Alien body-horror satisfies either ambition — or collapses under the weight of both.
“a greatest-hits compilation of the other Alien films' freaky moments. The paradox is that though you are intended to recognize these touches, you won't really be impressed unless you happen to be seeing them for the first time.”
Peter Bradshaw·The Guardian
“Scott finds himself stuck between two constructs—the action-horror beats of an Alien film, and the weighty, ponderous themes of a Prometheus movie—and by indulging both, he never fully satisfies either. The result is a messy film that is at turns, exquisite and infuriating.”
Collider
“relentless and overwhelming, but all in the very best of ways”
Clarisse Loughrey·The Independent
“[i]nstead you have to judge it by the standards of a fever dream or nightmare, a Freudian-Jungian narrative where the thing you fear most is what happens to you.”
Matt Zoller Seitz·RogerEbert.com
“this is a film that was made as a response to Prometheus critics but tries to appease fans of that film as well and it doesn't fully work.”
Trace Thurman·Bloody Disgusting
Horror, Sci-Fi, Thriller
The crew of the colony ship Covenant, bound for a remote planet on the far side of the galaxy, discovers what they think is an uncharted paradise but is actually a dark, dangerous world.
Ridley Scott's follow-up to Prometheus lands in a genuinely divided middle ground: it delivers the creature-feature horror the earlier film withheld, yet critics split sharply over whether that compromise actually works. Michael Fassbender's android David drew near-universal praise, but reviewers disagreed on whether the film's attempt to merge Prometheus-style philosophy with classic Alien body-horror satisfies either ambition — or collapses under the weight of both.
“a greatest-hits compilation of the other Alien films' freaky moments. The paradox is that though you are intended to recognize these touches, you won't really be impressed unless you happen to be seeing them for the first time.”
Peter Bradshaw·The Guardian
“Scott finds himself stuck between two constructs—the action-horror beats of an Alien film, and the weighty, ponderous themes of a Prometheus movie—and by indulging both, he never fully satisfies either. The result is a messy film that is at turns, exquisite and infuriating.”
Collider
“relentless and overwhelming, but all in the very best of ways”
Clarisse Loughrey·The Independent
“[i]nstead you have to judge it by the standards of a fever dream or nightmare, a Freudian-Jungian narrative where the thing you fear most is what happens to you.”
Matt Zoller Seitz·RogerEbert.com
“this is a film that was made as a response to Prometheus critics but tries to appease fans of that film as well and it doesn't fully work.”
Trace Thurman·Bloody Disgusting
Horror, Sci-Fi, Thriller