Pittsburgh, Pennsylvania, 1991. High school freshman Charlie is a wallflower, always watching life from the sidelines, until two senior students, Sam and her stepbrother Patrick, become his mentors, helping him discover the joys of friendship, music and love.
The film earns real warmth from its three leads, and Roger Ebert spoke for many in finding it an emotionally honest portrait of adolescence — but critics were split on whether that honesty goes deep enough. The gap between popular affection and critical reservation centers on the film's tendency to sand down the rougher edges of teenage life, making the whole thing feel safer and more idealized than the source material's darkness demands.
“All of my previous selves still survive somewhere inside of me, and my previous adolescent would have loved The Perks of Being a Wallflower”
Roger Ebert·Chicago Sun-Times
“the script is transparently fake at almost every moment, congratulating the gang on their non-conformity while soft-pedalling any aspect of adolescent behaviour—drug use, sex, profanity—that might upset the American mainstream.”
Jack Wilson·The Age
“the suicide of Charlie's best friend, which takes place before the film opens, seems glossed over too quickly”
Connie Ogle·The Miami Herald
Drama
Pittsburgh, Pennsylvania, 1991. High school freshman Charlie is a wallflower, always watching life from the sidelines, until two senior students, Sam and her stepbrother Patrick, become his mentors, helping him discover the joys of friendship, music and love.
The film earns real warmth from its three leads, and Roger Ebert spoke for many in finding it an emotionally honest portrait of adolescence — but critics were split on whether that honesty goes deep enough. The gap between popular affection and critical reservation centers on the film's tendency to sand down the rougher edges of teenage life, making the whole thing feel safer and more idealized than the source material's darkness demands.
“All of my previous selves still survive somewhere inside of me, and my previous adolescent would have loved The Perks of Being a Wallflower”
Roger Ebert·Chicago Sun-Times
“the script is transparently fake at almost every moment, congratulating the gang on their non-conformity while soft-pedalling any aspect of adolescent behaviour—drug use, sex, profanity—that might upset the American mainstream.”
Jack Wilson·The Age
“the suicide of Charlie's best friend, which takes place before the film opens, seems glossed over too quickly”
Connie Ogle·The Miami Herald
Drama