Recently divorced mom Lauren and widowed dad Jim let their friends push them into a blind date, which goes disastrously wrong. Unsurprisingly, neither wants to see the other ever again. However, fate intervenes when both Jim and Lauren, unbeknownst to each other, purchase one-half of the same vacation package at a South African resort for families, during spring break. They and their children are forced to share the same romantic suite and participate in a slew of family activities together.
Critics nearly universally panned Blended, taking particular aim at its racial caricatures, its sentimental excess, and its willingness to coast on the Sandler-Barrymore chemistry without doing anything interesting with it. The audience reaction told a very different story — families who actually saw it responded warmly, creating one of the sharpest critic-versus-viewer splits in Sandler's career. A small minority of reviewers, mostly outside the American prestige press, argued the film's old-fashioned, clean-cut family values were exactly the point.
“retrograde gender politics; its delight in the humiliation of children; its sentimental hypocrisy about male behavior; its quasi-zoological depiction of Africans as servile, dancing, drum-playing simpletons”
A. O. Scott·The New York Times
“following every unexpectedly smart exchange with a numbskull pratfall or one-liner, and every instance of genuine sincerity with an avalanche of schmaltz”
Andrew Barker·Variety
“Sandler and Barrymore display an onscreen connection that lends a grounding warmth to the clunkiest comedy setups”
Sheri Linden·The Hollywood Reporter
“It could have been a bit smarter and a lot shorter, but Blended, the third big-screen pairing for Adam Sandler and Drew Barrymore (after The Wedding Singer and 50 First Dates), is a fun, often funny, largely enjoyable romp.”
Gary Goldstein·Los Angeles Times
Comedy, Romance
Recently divorced mom Lauren and widowed dad Jim let their friends push them into a blind date, which goes disastrously wrong. Unsurprisingly, neither wants to see the other ever again. However, fate intervenes when both Jim and Lauren, unbeknownst to each other, purchase one-half of the same vacation package at a South African resort for families, during spring break. They and their children are forced to share the same romantic suite and participate in a slew of family activities together.
Critics nearly universally panned Blended, taking particular aim at its racial caricatures, its sentimental excess, and its willingness to coast on the Sandler-Barrymore chemistry without doing anything interesting with it. The audience reaction told a very different story — families who actually saw it responded warmly, creating one of the sharpest critic-versus-viewer splits in Sandler's career. A small minority of reviewers, mostly outside the American prestige press, argued the film's old-fashioned, clean-cut family values were exactly the point.
“retrograde gender politics; its delight in the humiliation of children; its sentimental hypocrisy about male behavior; its quasi-zoological depiction of Africans as servile, dancing, drum-playing simpletons”
A. O. Scott·The New York Times
“following every unexpectedly smart exchange with a numbskull pratfall or one-liner, and every instance of genuine sincerity with an avalanche of schmaltz”
Andrew Barker·Variety
“Sandler and Barrymore display an onscreen connection that lends a grounding warmth to the clunkiest comedy setups”
Sheri Linden·The Hollywood Reporter
“It could have been a bit smarter and a lot shorter, but Blended, the third big-screen pairing for Adam Sandler and Drew Barrymore (after The Wedding Singer and 50 First Dates), is a fun, often funny, largely enjoyable romp.”
Gary Goldstein·Los Angeles Times
Comedy, Romance