Faced with an unplanned pregnancy, sixteen year old high-schooler, Juno MacGuff, makes an unusual decision regarding her unborn child.
Widely celebrated on release as a sharp, warmly performed coming-of-age comedy, Juno earned particular praise for Elliot Page's lead performance and Diablo Cody's stylized script — though that very stylization is where critics parted ways, with detractors finding the slang-heavy dialogue calculated and its treatment of teen pregnancy glibly breezy. The film's cultural afterlife has been at least as contested as its reviews, with ongoing debate about whether it glamorizes pregnancy and whether its politics align with its author's intentions.
“just about the best movie of the year. ... Has there been a better performance this year than [Elliot] Page's creation of Juno? I don't think so.”
Roger Ebert·Chicago Sun-Times
“a movie that confers hipness on teens, that makes kids want to use the same slang and snap up the soundtrack”
David Edelstein·New York
Comedy, Drama
Faced with an unplanned pregnancy, sixteen year old high-schooler, Juno MacGuff, makes an unusual decision regarding her unborn child.
Widely celebrated on release as a sharp, warmly performed coming-of-age comedy, Juno earned particular praise for Elliot Page's lead performance and Diablo Cody's stylized script — though that very stylization is where critics parted ways, with detractors finding the slang-heavy dialogue calculated and its treatment of teen pregnancy glibly breezy. The film's cultural afterlife has been at least as contested as its reviews, with ongoing debate about whether it glamorizes pregnancy and whether its politics align with its author's intentions.
“just about the best movie of the year. ... Has there been a better performance this year than [Elliot] Page's creation of Juno? I don't think so.”
Roger Ebert·Chicago Sun-Times
“a movie that confers hipness on teens, that makes kids want to use the same slang and snap up the soundtrack”
David Edelstein·New York
Comedy, Drama