King Charles VI declares that Knight Jean de Carrouges settle his dispute with his squire, Jacques Le Gris, by challenging him to a duel.
Ridley Scott's Rashomon-structured medieval epic earned broadly favorable notices for its performances and audacious ambition, but critics were sharply divided on whether its three-perspective structure illuminates its #MeToo themes or merely exhausts the viewer — and several found the film tipping into unintentional self-parody. The screenplay drew particular scrutiny, with admires calling it genuinely daring and detractors finding it cluttered, repetitive, and too blunt an instrument for its complex subject matter.
“Despite a brief action interlude here or there, The Last Duel turns out to be a lavishly convoluted and, at times, rather interesting medieval soap opera.”
Owen Gleiberman·Variety
“something all too rare on the current Hollywood field of battle: an intelligent and genuinely daring big budget melee that is — above all else — the product of recognizable artistic collaboration.”
Ben Croll·IndieWire
“the narrative is cluttered with court intrigue against a background of repetitive battles, and the storytelling structure is exhausting.”
Joe Morgenstern·The Wall Street Journal
“ends up perching so close to parody at times that you'd swear the full title was Monty Python's The Last Duel.”
David Fear·Rolling Stone
“It works because it doesn't try to retrofit the facts of the past to fit the assumptions of the present.”
Kyle Smith·National Review
Drama, History, Thriller
King Charles VI declares that Knight Jean de Carrouges settle his dispute with his squire, Jacques Le Gris, by challenging him to a duel.
Ridley Scott's Rashomon-structured medieval epic earned broadly favorable notices for its performances and audacious ambition, but critics were sharply divided on whether its three-perspective structure illuminates its #MeToo themes or merely exhausts the viewer — and several found the film tipping into unintentional self-parody. The screenplay drew particular scrutiny, with admires calling it genuinely daring and detractors finding it cluttered, repetitive, and too blunt an instrument for its complex subject matter.
“Despite a brief action interlude here or there, The Last Duel turns out to be a lavishly convoluted and, at times, rather interesting medieval soap opera.”
Owen Gleiberman·Variety
“something all too rare on the current Hollywood field of battle: an intelligent and genuinely daring big budget melee that is — above all else — the product of recognizable artistic collaboration.”
Ben Croll·IndieWire
“the narrative is cluttered with court intrigue against a background of repetitive battles, and the storytelling structure is exhausting.”
Joe Morgenstern·The Wall Street Journal
“ends up perching so close to parody at times that you'd swear the full title was Monty Python's The Last Duel.”
David Fear·Rolling Stone
“It works because it doesn't try to retrofit the facts of the past to fit the assumptions of the present.”
Kyle Smith·National Review
Drama, History, Thriller