Anakin Skywalker, a young slave strong with the Force, is discovered on Tatooine. Meanwhile, the evil Sith have returned, enacting their plot for revenge against the Jedi.
Critics were genuinely split on the film at release, and that division has only hardened over time — it sits among the worst-rated entries in the Star Wars series with professional critics while audiences received it far more warmly. The script, character work, and Jar Jar Binks drew the sharpest complaints, while the visuals, action sequences, and world-building found more defenders; several critics argued that impossibly inflated hype, not the film itself, was the real culprit behind the backlash.
“it is neither captivating nor transporting, for it lacks any emotional pull, as well as the sense of wonder and awe that marks the best works of sci-fi/fantasy”
Todd McCarthy·Variety
“an astonishing achievement in imaginative filmmaking”
Roger Ebert·Chicago Sun-Times
“haplessly plotted, horribly written, and juvenile”
Marc Bernardin·Entertainment Weekly
“a major miscue, a comic-relief character who's frankly not funny”
Kenneth Turan·Los Angeles Times
“Looking at the big picture, in spite of all its flaws, The Phantom Menace is still among the best 'bang for a buck' fun that can be had in a movie theater”
James Berardinelli·ReelViews
Action, Adventure, Fantasy
Anakin Skywalker, a young slave strong with the Force, is discovered on Tatooine. Meanwhile, the evil Sith have returned, enacting their plot for revenge against the Jedi.
Critics were genuinely split on the film at release, and that division has only hardened over time — it sits among the worst-rated entries in the Star Wars series with professional critics while audiences received it far more warmly. The script, character work, and Jar Jar Binks drew the sharpest complaints, while the visuals, action sequences, and world-building found more defenders; several critics argued that impossibly inflated hype, not the film itself, was the real culprit behind the backlash.
“it is neither captivating nor transporting, for it lacks any emotional pull, as well as the sense of wonder and awe that marks the best works of sci-fi/fantasy”
Todd McCarthy·Variety
“an astonishing achievement in imaginative filmmaking”
Roger Ebert·Chicago Sun-Times
“haplessly plotted, horribly written, and juvenile”
Marc Bernardin·Entertainment Weekly
“a major miscue, a comic-relief character who's frankly not funny”
Kenneth Turan·Los Angeles Times
“Looking at the big picture, in spite of all its flaws, The Phantom Menace is still among the best 'bang for a buck' fun that can be had in a movie theater”
James Berardinelli·ReelViews
Action, Adventure, Fantasy