Alice, now 19 years old, returns to the whimsical world she first entered as a child and embarks on a journey to discover her true destiny.
Burton's visually inventive take on Lewis Carroll splits critics almost evenly: admirers see a visually imaginative adult hallucination given life by Danny Elfman's score, while detractors argue the story is hollow and directionless, with Alice herself sidelined in her own film. The third act — a generic CGI battle climax — and a closing scene casting Alice as a colonial entrepreneur drew particular criticism, suggesting the film's ambitions outpace its narrative courage.
“Burton has delivered a subversively witty, brilliantly cast, whimsically appointed dazzler that also manages to hit all the emotionally satisfying marks”
Michael Rechtshaffen·The Hollywood Reporter
“Burton's Disneyfied 3-D Alice in Wonderland, written by the girl-power specialist Linda Woolverton, is a strange brew indeed: murky, diffuse, and meandering, set not in a Wonderland that pops with demented life but in a world called Underland that's like a joyless, bombed-out version of Wonderland.”
Owen Gleiberman·Entertainment Weekly
“Alice plays better as an adult hallucination, which is how Burton rather brilliantly interprets it until a pointless third act flies off the rails.”
Roger Ebert·Chicago Sun-Times
Adventure, Family, Fantasy
Alice, now 19 years old, returns to the whimsical world she first entered as a child and embarks on a journey to discover her true destiny.
Burton's visually inventive take on Lewis Carroll splits critics almost evenly: admirers see a visually imaginative adult hallucination given life by Danny Elfman's score, while detractors argue the story is hollow and directionless, with Alice herself sidelined in her own film. The third act — a generic CGI battle climax — and a closing scene casting Alice as a colonial entrepreneur drew particular criticism, suggesting the film's ambitions outpace its narrative courage.
“Burton has delivered a subversively witty, brilliantly cast, whimsically appointed dazzler that also manages to hit all the emotionally satisfying marks”
Michael Rechtshaffen·The Hollywood Reporter
“Burton's Disneyfied 3-D Alice in Wonderland, written by the girl-power specialist Linda Woolverton, is a strange brew indeed: murky, diffuse, and meandering, set not in a Wonderland that pops with demented life but in a world called Underland that's like a joyless, bombed-out version of Wonderland.”
Owen Gleiberman·Entertainment Weekly
“Alice plays better as an adult hallucination, which is how Burton rather brilliantly interprets it until a pointless third act flies off the rails.”
Roger Ebert·Chicago Sun-Times
Adventure, Family, Fantasy