Oscar Diggs, a small-time circus illusionist and con-artist, is whisked from Kansas to the Land of Oz where the inhabitants assume he's the great wizard of prophecy, there to save Oz from the clutches of evil.
Sam Raimi's Wizard of Oz prequel divided critics sharply along a single fault line: the visuals are undeniably lavish, but many felt the story underneath them is thin and the casting — particularly James Franco as the Wizard — undermines the sense of wonder the film needs to work. Those who warmed to it found enough wit and Raimi-esque energy to carry the spectacle; skeptics saw digital gloss masking weak characterization and a script that never earns its emotional stakes.
“In a real sense, Oz the Great and Powerful has a certain kinship with George Lucas's Star Wars prequels, in the way it presents a beautiful but borderline-sterile digital update of a world that was richer, purer and a lot more fun in lower-tech form. Here, too, the actors often look artificially superimposed against their CG backdrops, though the intensity of the fakery generates its own visual fascination.”
Justin Chang·Variety
“Oh, it's exciting enough for a six-year-old; anyone older, however, will already have been exposed to so much on TV, at the movies and on the Internet that this will seem like so much visual cotton-candy. Even a sophisticated grade-schooler will find these doings weak and overblown.”
Marshall Fine·The Huffington Post
“lacks the humor, charm, and gee-whiz wonder we're meant to feel as he trades wisecracks with a flying monkey ... and soars above a field of poppies in a giant soap bubble. If he's not enchanted, how are we supposed to be?”
Entertainment Weekly
“Mila Kunis gets a gold star for excellence in bewitchery and Sam Raimi can settle securely behind the curtain as a mature master of illusion.”
Kim Newman·Empire
“basically Army of Darkness: (Normal guy lands in magical land, is forced to go on quest to save that land.) But just when you see Raimi's kinetic, signature style starting to unleash, the story forces the film back into its Disney shell to play to the masses. We're left with a film that's entertaining, a little scarier than you'd expect, but extremely inconsistent.”
/Film
Adventure, Family, Fantasy
Oscar Diggs, a small-time circus illusionist and con-artist, is whisked from Kansas to the Land of Oz where the inhabitants assume he's the great wizard of prophecy, there to save Oz from the clutches of evil.
Sam Raimi's Wizard of Oz prequel divided critics sharply along a single fault line: the visuals are undeniably lavish, but many felt the story underneath them is thin and the casting — particularly James Franco as the Wizard — undermines the sense of wonder the film needs to work. Those who warmed to it found enough wit and Raimi-esque energy to carry the spectacle; skeptics saw digital gloss masking weak characterization and a script that never earns its emotional stakes.
“In a real sense, Oz the Great and Powerful has a certain kinship with George Lucas's Star Wars prequels, in the way it presents a beautiful but borderline-sterile digital update of a world that was richer, purer and a lot more fun in lower-tech form. Here, too, the actors often look artificially superimposed against their CG backdrops, though the intensity of the fakery generates its own visual fascination.”
Justin Chang·Variety
“Oh, it's exciting enough for a six-year-old; anyone older, however, will already have been exposed to so much on TV, at the movies and on the Internet that this will seem like so much visual cotton-candy. Even a sophisticated grade-schooler will find these doings weak and overblown.”
Marshall Fine·The Huffington Post
“lacks the humor, charm, and gee-whiz wonder we're meant to feel as he trades wisecracks with a flying monkey ... and soars above a field of poppies in a giant soap bubble. If he's not enchanted, how are we supposed to be?”
Entertainment Weekly
“Mila Kunis gets a gold star for excellence in bewitchery and Sam Raimi can settle securely behind the curtain as a mature master of illusion.”
Kim Newman·Empire
“basically Army of Darkness: (Normal guy lands in magical land, is forced to go on quest to save that land.) But just when you see Raimi's kinetic, signature style starting to unleash, the story forces the film back into its Disney shell to play to the masses. We're left with a film that's entertaining, a little scarier than you'd expect, but extremely inconsistent.”
/Film
Adventure, Family, Fantasy