After Homer accidentally pollutes the town's water supply, Springfield is encased in a gigantic dome by the EPA and the Simpsons are declared fugitives.
The Simpsons Movie landed mostly well with critics, who felt it recaptured something of the show's classic-era sharpness and delivered genuine laughs. The central fault line, though, ran right through its format: many who liked it still questioned whether the material could sustain a feature-length film, and a vocal minority found it simply a padded television episode with diminished satirical bite.
“boasts the same sly cultural references and flashes of brilliance that have earned the television series a following that ranges from tots to comparative literature PhDs”
James Bone·The Times
“radical and simple at the same time, subversive and good-hearted, offensive without really meaning to be”
Roger Ebert·Chicago Sun-Times
“everything moves with the whip-crack speed of a half-hour episode. And that's the paradox: it makes the film feel like three episodes strung together. We're in a cinema, and we expect something epic.”
Luke Davies·The Monthly
“there's a great half-hour show rattling around...the rest is padding at its very dullest”
David Edwards·Daily Mirror
“the humour seem[ed] to have lost its satirical bite and wit”
Cosmo Landesman·The Sunday Times
Adventure, Animation, Comedy
After Homer accidentally pollutes the town's water supply, Springfield is encased in a gigantic dome by the EPA and the Simpsons are declared fugitives.
The Simpsons Movie landed mostly well with critics, who felt it recaptured something of the show's classic-era sharpness and delivered genuine laughs. The central fault line, though, ran right through its format: many who liked it still questioned whether the material could sustain a feature-length film, and a vocal minority found it simply a padded television episode with diminished satirical bite.
“boasts the same sly cultural references and flashes of brilliance that have earned the television series a following that ranges from tots to comparative literature PhDs”
James Bone·The Times
“radical and simple at the same time, subversive and good-hearted, offensive without really meaning to be”
Roger Ebert·Chicago Sun-Times
“everything moves with the whip-crack speed of a half-hour episode. And that's the paradox: it makes the film feel like three episodes strung together. We're in a cinema, and we expect something epic.”
Luke Davies·The Monthly
“there's a great half-hour show rattling around...the rest is padding at its very dullest”
David Edwards·Daily Mirror
“the humour seem[ed] to have lost its satirical bite and wit”
Cosmo Landesman·The Sunday Times
Adventure, Animation, Comedy