During World War II, Steve Rogers is a sickly man from Brooklyn who's transformed into super-soldier Captain America to aid in the war effort. Rogers must stop the Red Skull – Adolf Hitler's ruthless head of weaponry, and the leader of an organization that intends to use a mysterious device of untold powers for world domination.
A retro-flavored wartime adventure that earns more goodwill from its 1940s setting and Chris Evans's earnest performance than from any particular narrative ambition. Critics who warmed to it praised its old-school serial energy and genuine emotional pull; detractors found it formulaic franchise machinery — competent but thinly written, with its eye more on setting up future Marvel films than telling a complete story of its own.
“Johnston has delivered a light, clever and deftly balanced adventure picture with real lump in the throat nostalgia, with Nazis – who make the best villains, and with loving references to Star Wars and Raiders of the Lost Ark.”
Roger Moore·Orlando Sentinel
“I enjoyed the movie. I appreciated the 1940s period settings and costumes, which were a break with the usual generic cityscapes. I admired the way that director Joe Johnston propelled the narrative. I got a sense of a broad story, rather than the impression of a series of sensational set pieces.”
Roger Ebert·Chicago Sun-Times
“Captain America: The First Avenger plays like a by-the-numbers prequel for Marvel Studios' forthcoming The Avengers movie”
Peter Debruge·Variety
“[A] hokey, hacky, two-hour-plus exercise in franchise transition/price gouging, complete with utterly unnecessary post-converted 3-D”
Karina Longworth·The Village Voice
“this one feels perhaps a little too simplistic and routine”
Kirk Honeycutt·The Hollywood Reporter
Action, Adventure, Sci-Fi
During World War II, Steve Rogers is a sickly man from Brooklyn who's transformed into super-soldier Captain America to aid in the war effort. Rogers must stop the Red Skull – Adolf Hitler's ruthless head of weaponry, and the leader of an organization that intends to use a mysterious device of untold powers for world domination.
A retro-flavored wartime adventure that earns more goodwill from its 1940s setting and Chris Evans's earnest performance than from any particular narrative ambition. Critics who warmed to it praised its old-school serial energy and genuine emotional pull; detractors found it formulaic franchise machinery — competent but thinly written, with its eye more on setting up future Marvel films than telling a complete story of its own.
“Johnston has delivered a light, clever and deftly balanced adventure picture with real lump in the throat nostalgia, with Nazis – who make the best villains, and with loving references to Star Wars and Raiders of the Lost Ark.”
Roger Moore·Orlando Sentinel
“I enjoyed the movie. I appreciated the 1940s period settings and costumes, which were a break with the usual generic cityscapes. I admired the way that director Joe Johnston propelled the narrative. I got a sense of a broad story, rather than the impression of a series of sensational set pieces.”
Roger Ebert·Chicago Sun-Times
“Captain America: The First Avenger plays like a by-the-numbers prequel for Marvel Studios' forthcoming The Avengers movie”
Peter Debruge·Variety
“[A] hokey, hacky, two-hour-plus exercise in franchise transition/price gouging, complete with utterly unnecessary post-converted 3-D”
Karina Longworth·The Village Voice
“this one feels perhaps a little too simplistic and routine”
Kirk Honeycutt·The Hollywood Reporter
Action, Adventure, Sci-Fi