Four undying warriors who've secretly protected humanity for centuries become targeted for their mysterious powers just as they discover a new immortal.
Generally well-received, The Old Guard earns its goodwill through unusually purposeful action choreography and a director who brings character-driven instincts to what could have been rote superhero material — though critics noted the film occasionally sags under genre formula and Netflix-franchise ambition. The film's matter-of-fact portrayal of queer romance was singled out as genuinely significant, drawing as much critical attention as the action itself.
“Chunks of the picture are logy and formulaic (it dawdles on for two hours), but the director, Gina Prince-Bythewood (making a major lane change after Love & Basketball and The Secret Life of Bees), stages the fight scenes with ripe executionary finesse, and she teases out a certain soulful quality in her cast.”
Owen Gleiberman·Variety
“Superhero battles that are eye popping and narratively motivated? Oh, yeah.”
Kate Erbland·IndieWire
“Though The Old Guard tackles superhero-movie clichés in interesting ways, it has more difficulty with the emerging conventions of the Netflix movie”
Tom Breihan·The A.V. Club
“The sexuality of the characters is matter-of-fact and inconsequential to their ability to kick total-and-complete ass, yet also given the dignity of expressing and showing their love”
Kevin Fallon·The Daily Beast
Action, Thriller
Four undying warriors who've secretly protected humanity for centuries become targeted for their mysterious powers just as they discover a new immortal.
Generally well-received, The Old Guard earns its goodwill through unusually purposeful action choreography and a director who brings character-driven instincts to what could have been rote superhero material — though critics noted the film occasionally sags under genre formula and Netflix-franchise ambition. The film's matter-of-fact portrayal of queer romance was singled out as genuinely significant, drawing as much critical attention as the action itself.
“Chunks of the picture are logy and formulaic (it dawdles on for two hours), but the director, Gina Prince-Bythewood (making a major lane change after Love & Basketball and The Secret Life of Bees), stages the fight scenes with ripe executionary finesse, and she teases out a certain soulful quality in her cast.”
Owen Gleiberman·Variety
“Superhero battles that are eye popping and narratively motivated? Oh, yeah.”
Kate Erbland·IndieWire
“Though The Old Guard tackles superhero-movie clichés in interesting ways, it has more difficulty with the emerging conventions of the Netflix movie”
Tom Breihan·The A.V. Club
“The sexuality of the characters is matter-of-fact and inconsequential to their ability to kick total-and-complete ass, yet also given the dignity of expressing and showing their love”
Kevin Fallon·The Daily Beast
Action, Thriller