James Bond must investigate a mysterious murder case of a British agent in New Orleans. Soon he finds himself up against a gangster boss named Mr. Big.
Roger Moore's Bond debut drew mixed reactions, with critics broadly accepting him as a capable if not fully convincing replacement for Connery while finding the villains underwhelming and the plotting closer to Saturday-matinee cartoon than spy thriller. The film lands somewhere between enjoyable and excessive, with the McCartney title song and strong technical craft earning more consistent praise than the story or action sequences.
“the most vulgar addition to a series that has long since outlived its brief historical moment — if not, alas, its profitability.”
Richard Schickel·Time
“a handsome, suave, somewhat phlegmatic James Bond—with a tendency to throw away his throwaway quips as the minor embarrassments that, alas, they usually are.”
Roger Greenspun·The New York Times
“the action never slumps, and the series never seemed more like a real cartoon.”
Charles Champlin·Los Angeles Times
“plot lines have descended further to the level of the old Saturday afternoon serial, and the treatment is more than ever like a cartoon.”
Arthur D. Murphy·Variety
Action, Adventure, Thriller
James Bond must investigate a mysterious murder case of a British agent in New Orleans. Soon he finds himself up against a gangster boss named Mr. Big.
Roger Moore's Bond debut drew mixed reactions, with critics broadly accepting him as a capable if not fully convincing replacement for Connery while finding the villains underwhelming and the plotting closer to Saturday-matinee cartoon than spy thriller. The film lands somewhere between enjoyable and excessive, with the McCartney title song and strong technical craft earning more consistent praise than the story or action sequences.
“the most vulgar addition to a series that has long since outlived its brief historical moment — if not, alas, its profitability.”
Richard Schickel·Time
“a handsome, suave, somewhat phlegmatic James Bond—with a tendency to throw away his throwaway quips as the minor embarrassments that, alas, they usually are.”
Roger Greenspun·The New York Times
“the action never slumps, and the series never seemed more like a real cartoon.”
Charles Champlin·Los Angeles Times
“plot lines have descended further to the level of the old Saturday afternoon serial, and the treatment is more than ever like a cartoon.”
Arthur D. Murphy·Variety
Action, Adventure, Thriller