Quan is a humble London businessman whose long-buried past erupts in a revenge-fueled vendetta when the only person left for him to love – his teenage daughter – dies in an Irish Republican Army car bombing. His relentless search to find the terrorists leads to a cat-and-mouse conflict with a British government official whose own past may hold the clues to the identities of the elusive killers.
A mixed-to-moderately-positive genre exercise that critics received as a workmanlike thriller rather than a reinvention of anything. The divide runs roughly along one axis: most agreed Chan's against-type dramatic turn was a genuine surprise, but argued over whether Martin Campbell's efficient, unsentimental direction elevated formulaic material or merely dressed it up. Audience enthusiasm ran noticeably warmer than critical opinion.
“It's the most dramatic role Chan has ever tackled, and he plays it with coiled intensity and raw emotional power.”
Peter Travers·Rolling Stone
“Campbell's unfussy style works well with Chan's choreography. The star's willingness to look at his 63 years makes the falls look like they hurt and creates a sense of jeopardy when Quan finds himself outnumbered.”
John Berra·Screen Daily
“good, lean cut of meat—in other words, a typical Martin Campbell movie, expeditious and cold-blooded in its cross-cut, cloak-and-dagger plotting and violence.”
Ignatiy Vishnevetsky·The A.V. Club
“The Foreigner amounts to an above-average but largely by-the-numbers action movie in which Chan does battle with generic thugs and shadowy political forces.”
Peter Debruge·Variety
Action, Crime, Thriller
Quan is a humble London businessman whose long-buried past erupts in a revenge-fueled vendetta when the only person left for him to love – his teenage daughter – dies in an Irish Republican Army car bombing. His relentless search to find the terrorists leads to a cat-and-mouse conflict with a British government official whose own past may hold the clues to the identities of the elusive killers.
A mixed-to-moderately-positive genre exercise that critics received as a workmanlike thriller rather than a reinvention of anything. The divide runs roughly along one axis: most agreed Chan's against-type dramatic turn was a genuine surprise, but argued over whether Martin Campbell's efficient, unsentimental direction elevated formulaic material or merely dressed it up. Audience enthusiasm ran noticeably warmer than critical opinion.
“It's the most dramatic role Chan has ever tackled, and he plays it with coiled intensity and raw emotional power.”
Peter Travers·Rolling Stone
“Campbell's unfussy style works well with Chan's choreography. The star's willingness to look at his 63 years makes the falls look like they hurt and creates a sense of jeopardy when Quan finds himself outnumbered.”
John Berra·Screen Daily
“good, lean cut of meat—in other words, a typical Martin Campbell movie, expeditious and cold-blooded in its cross-cut, cloak-and-dagger plotting and violence.”
Ignatiy Vishnevetsky·The A.V. Club
“The Foreigner amounts to an above-average but largely by-the-numbers action movie in which Chan does battle with generic thugs and shadowy political forces.”
Peter Debruge·Variety
Action, Crime, Thriller