A hedonistic man finds a mysterious puzzle box that summons a group of gruesome beings known as the Cenobites. These otherworldly entities open the doors to a dominion where pain and pleasure are indivisible.
Clive Barker's debut divided critics sharply on arrival: British reviewers largely celebrated its seriousness of tone and atmospheric dread as a genuine corrective to the jokey horror of the era, while American critics were far more skeptical, with several finding the execution clumsy and the ending a letdown. The film's ambition — its moral and emotional complexity, its refusal of easy comedy — was acknowledged even by detractors, though whether that ambition actually lands on screen was exactly the point of contention.
“creates such an atmosphere of dread that the astonishing set-pieces simply detonate in a chain reaction of cumulative intensity”
Time Out London
“suffers from a few minor compromises: notably a decision made fairly late in shooting to change the specifically English setting for an ambiguous (and unbelievable) mid-Atlantic one”
Kim Newman·Monthly Film Bulletin
“Re-Animator and Evil Dead II demonstrated that films like this can be made with a bit of wit and style. Hellraiser, alas, buries itself in its own shoddy shock tactics. It's not scary or funny; it's just squishy.”
Eleanor Ringel·The Atlanta Constitution
“well made, well acted, and the visual effects are generally handled with skill”
Variety
Horror, Thriller
A hedonistic man finds a mysterious puzzle box that summons a group of gruesome beings known as the Cenobites. These otherworldly entities open the doors to a dominion where pain and pleasure are indivisible.
Clive Barker's debut divided critics sharply on arrival: British reviewers largely celebrated its seriousness of tone and atmospheric dread as a genuine corrective to the jokey horror of the era, while American critics were far more skeptical, with several finding the execution clumsy and the ending a letdown. The film's ambition — its moral and emotional complexity, its refusal of easy comedy — was acknowledged even by detractors, though whether that ambition actually lands on screen was exactly the point of contention.
“creates such an atmosphere of dread that the astonishing set-pieces simply detonate in a chain reaction of cumulative intensity”
Time Out London
“suffers from a few minor compromises: notably a decision made fairly late in shooting to change the specifically English setting for an ambiguous (and unbelievable) mid-Atlantic one”
Kim Newman·Monthly Film Bulletin
“Re-Animator and Evil Dead II demonstrated that films like this can be made with a bit of wit and style. Hellraiser, alas, buries itself in its own shoddy shock tactics. It's not scary or funny; it's just squishy.”
Eleanor Ringel·The Atlanta Constitution
“well made, well acted, and the visual effects are generally handled with skill”
Variety
Horror, Thriller