A woman tries to exonerate her brother's murder conviction by proving that the crime was committed by a supernatural phenomenon.
Oculus earns mostly positive notices for prioritizing psychological dread over cheap gore, with its interwoven past-and-present structure drawing particular praise for intelligence and craft. Critics who pushed back felt the concept wore thin as it progressed, and some found the supernatural mirror too derivative of earlier horror — Ring being the most cited comparison. Audiences, however, were noticeably cooler on the film than reviewers.
“Less concerned with fake shocks and show-me violence than the grimly calibrated rotting of personalities, Oculus is one of the more intelligently nasty horror films in recent memory.”
Robert Abele·Los Angeles Times
“this unpretentiously efficient affair handles its dual-narrative past/present intercuts with aplomb and keeps a couple of nicely nasty tricks up its sleeve.”
Mark Kermode·The Observer
“well-acted, looks quite good, and manages some moments of entertainment, but as the minutes tick by it grows weaker and weaker until its final cheat designed to allow for a shocker ending.”
Film School Rejects
“It's certainly worth taking a glance at this looking glass, but horror fans may find the reflection a little familiar. Substitute a videotape for the mirror and it's basically Ring.”
Wendy Ide·The Times
Horror, Mystery, Thriller
A woman tries to exonerate her brother's murder conviction by proving that the crime was committed by a supernatural phenomenon.
Oculus earns mostly positive notices for prioritizing psychological dread over cheap gore, with its interwoven past-and-present structure drawing particular praise for intelligence and craft. Critics who pushed back felt the concept wore thin as it progressed, and some found the supernatural mirror too derivative of earlier horror — Ring being the most cited comparison. Audiences, however, were noticeably cooler on the film than reviewers.
“Less concerned with fake shocks and show-me violence than the grimly calibrated rotting of personalities, Oculus is one of the more intelligently nasty horror films in recent memory.”
Robert Abele·Los Angeles Times
“this unpretentiously efficient affair handles its dual-narrative past/present intercuts with aplomb and keeps a couple of nicely nasty tricks up its sleeve.”
Mark Kermode·The Observer
“well-acted, looks quite good, and manages some moments of entertainment, but as the minutes tick by it grows weaker and weaker until its final cheat designed to allow for a shocker ending.”
Film School Rejects
“It's certainly worth taking a glance at this looking glass, but horror fans may find the reflection a little familiar. Substitute a videotape for the mirror and it's basically Ring.”
Wendy Ide·The Times
Horror, Mystery, Thriller