Though she can spin wild tales of passionate romance, novelist Joan Wilder has no life of her own. Then one day adventure comes her way in the form of a mysterious package. It turns out that the parcel is the ransom she'll need to free her abducted sister, so Joan flies to South America to hand it over. But she gets on the wrong bus and winds up hopelessly stranded in the jungle.
Critics mostly enjoyed this Raiders-era adventure romp, praising its sharp script, sure-footed direction, and the chemistry between its leads — but detractors found the plot an incoherent muddle and the romantic pairing unconvincing. The central disagreement is whether the film's good humor is enough to paper over its structural problems, or whether the MacGuffin, Joan's character arc, and the romance all collapse under scrutiny.
“Though fitfully thrilling and amusing, [Joan Wilder's] adventures degenerate into a muddle. Neither screenwriter Diane Thomas nor director Robert Zemeckis, good-humored as they strive to be, maintains a coherent perception of how the plot should be contrived to trump the heroine's overactive fantasy life.”
Gary Arnold·The Washington Post
“The script is sharp and funny, the direction sure-footed on both the comedy and action fronts”
Time Out
“a silly, high-spirited chase picture”
Roger Ebert·RogerEbert.com
Romance, Comedy, Action, Adventure
Though she can spin wild tales of passionate romance, novelist Joan Wilder has no life of her own. Then one day adventure comes her way in the form of a mysterious package. It turns out that the parcel is the ransom she'll need to free her abducted sister, so Joan flies to South America to hand it over. But she gets on the wrong bus and winds up hopelessly stranded in the jungle.
Critics mostly enjoyed this Raiders-era adventure romp, praising its sharp script, sure-footed direction, and the chemistry between its leads — but detractors found the plot an incoherent muddle and the romantic pairing unconvincing. The central disagreement is whether the film's good humor is enough to paper over its structural problems, or whether the MacGuffin, Joan's character arc, and the romance all collapse under scrutiny.
“Though fitfully thrilling and amusing, [Joan Wilder's] adventures degenerate into a muddle. Neither screenwriter Diane Thomas nor director Robert Zemeckis, good-humored as they strive to be, maintains a coherent perception of how the plot should be contrived to trump the heroine's overactive fantasy life.”
Gary Arnold·The Washington Post
“The script is sharp and funny, the direction sure-footed on both the comedy and action fronts”
Time Out
“a silly, high-spirited chase picture”
Roger Ebert·RogerEbert.com
Romance, Comedy, Action, Adventure