Clue finds six colorful dinner guests gathered at the mansion of their host, Mr. Boddy -- who turns up dead after his secret is exposed: He was blackmailing all of them. With the killer among them, the guests and Boddy's chatty butler must suss out the culprit before the body count rises.
Clue landed with mostly mixed notices on release, with critics finding the ensemble charming but the screenplay too thin to sustain the farce for a full runtime. The three-ending theatrical gimmick drew particular skepticism, with reviewers arguing the film needed rethinking in its middle rather than its conclusion. Decades of audience affection have since outpaced that original critical verdict, making the gap between contemporary reviews and lasting popularity a big part of the film's story.
“Clue offers a few big laughs early on followed by a lot of characters running around on a treadmill to nowhere.”
Gene Siskel·Chicago Tribune
“screenplay is so very, very thin that [the actors] spend most of their time looking frustrated, as if they'd just been cut off right before they were about to say something interesting”
Roger Ebert·Chicago Sun-Times
“the beginning "is the only part of the film that is remotely engaging. After that, it begins to drag”
Janet Maslin·The New York Times
Comedy, Thriller, Crime, Mystery
Clue finds six colorful dinner guests gathered at the mansion of their host, Mr. Boddy -- who turns up dead after his secret is exposed: He was blackmailing all of them. With the killer among them, the guests and Boddy's chatty butler must suss out the culprit before the body count rises.
Clue landed with mostly mixed notices on release, with critics finding the ensemble charming but the screenplay too thin to sustain the farce for a full runtime. The three-ending theatrical gimmick drew particular skepticism, with reviewers arguing the film needed rethinking in its middle rather than its conclusion. Decades of audience affection have since outpaced that original critical verdict, making the gap between contemporary reviews and lasting popularity a big part of the film's story.
“Clue offers a few big laughs early on followed by a lot of characters running around on a treadmill to nowhere.”
Gene Siskel·Chicago Tribune
“screenplay is so very, very thin that [the actors] spend most of their time looking frustrated, as if they'd just been cut off right before they were about to say something interesting”
Roger Ebert·Chicago Sun-Times
“the beginning "is the only part of the film that is remotely engaging. After that, it begins to drag”
Janet Maslin·The New York Times
Comedy, Thriller, Crime, Mystery