John Rambo is released from prison by the government for a top-secret covert mission to the last place on Earth he'd want to return - the jungles of Vietnam.
Critics in 1985 largely dismissed the film as a cynical, politically opportunistic action spectacle that hollowed out the original's troubled protagonist in favor of near-invincible one-man-army carnage. Where they diverged was on whether the sheer scale of the mayhem delivered any visceral satisfaction — a few found it a crudely effective genre exercise, while most found it ideologically retrograde and dramatically tension-free.
“almost as opportunistic as the Congressman it pretends to abhor. In spite of everything it says, it's much less interested in the M.I.A. question than it is in finding a topical frame for the kind of action-adventure film in which Mr. Stallone — his torso and his vacant stare — can do what his fans like best.”
Vincent Canby·The New York Times
“very good at what it does, but what it does isn't always that good”
Gene Siskel·Chicago Tribune
“If a character can seemingly do anything, it's hard to feel tension or concern about his fate. (At least Superman had kryptonite.) We are left with nothing but detached aesthetic appreciation: watching Rambo race through several million dollars worth of explosions and aerial attacks, coruscant fireballs billowing everywhere and bodies flying hither and yon.”
Michael Wilmington·Los Angeles Times
“At best, Rambo: First Blood Part II is a crudely effective right-wing rabble-rouser, the artistic equivalent of carpet bombing—you don't know whether to cheer or run for cover. At worst, it's a tribute to Sylvester Stallone, by Sylvester Stallone, starring Sylvester Stallone.”
Paul Attanasio·The Washington Post
“The director, George P. Cosmatos, gives this near-psychotic material—a mixture of Catholic iconography and Soldier of Fortune pulp—a veneer of professionalism, but the looniness is always there.”
Pauline Kael·The New Yorker
Action, Adventure, Thriller, War
John Rambo is released from prison by the government for a top-secret covert mission to the last place on Earth he'd want to return - the jungles of Vietnam.
Critics in 1985 largely dismissed the film as a cynical, politically opportunistic action spectacle that hollowed out the original's troubled protagonist in favor of near-invincible one-man-army carnage. Where they diverged was on whether the sheer scale of the mayhem delivered any visceral satisfaction — a few found it a crudely effective genre exercise, while most found it ideologically retrograde and dramatically tension-free.
“almost as opportunistic as the Congressman it pretends to abhor. In spite of everything it says, it's much less interested in the M.I.A. question than it is in finding a topical frame for the kind of action-adventure film in which Mr. Stallone — his torso and his vacant stare — can do what his fans like best.”
Vincent Canby·The New York Times
“very good at what it does, but what it does isn't always that good”
Gene Siskel·Chicago Tribune
“If a character can seemingly do anything, it's hard to feel tension or concern about his fate. (At least Superman had kryptonite.) We are left with nothing but detached aesthetic appreciation: watching Rambo race through several million dollars worth of explosions and aerial attacks, coruscant fireballs billowing everywhere and bodies flying hither and yon.”
Michael Wilmington·Los Angeles Times
“At best, Rambo: First Blood Part II is a crudely effective right-wing rabble-rouser, the artistic equivalent of carpet bombing—you don't know whether to cheer or run for cover. At worst, it's a tribute to Sylvester Stallone, by Sylvester Stallone, starring Sylvester Stallone.”
Paul Attanasio·The Washington Post
“The director, George P. Cosmatos, gives this near-psychotic material—a mixture of Catholic iconography and Soldier of Fortune pulp—a veneer of professionalism, but the looniness is always there.”
Pauline Kael·The New Yorker
Action, Adventure, Thriller, War