A newly dead New England couple seeks help from a deranged demon exorcist to scare an affluent New York family out of their home.
Tim Burton's film landed mostly well with critics at the time, though it was far from a unanimous celebration — the same anarchic energy that delighted some struck others as exhausting. The central fault line was Keaton's Betelgeuse himself: some found his manic presence the whole point, while Ebert and Siskel felt his overbearing antics in the second half dragged the film down and compared it unfavorably to Ghostbusters. The film's visual invention drew broader agreement than its comedy did.
“too much of a not very good thing”
Chicago Tribune
“tries anything and everything for effect, and only occasionally manages something marginally funny”
Janet Maslin·The New York Times
Fantasy, Comedy
A newly dead New England couple seeks help from a deranged demon exorcist to scare an affluent New York family out of their home.
Tim Burton's film landed mostly well with critics at the time, though it was far from a unanimous celebration — the same anarchic energy that delighted some struck others as exhausting. The central fault line was Keaton's Betelgeuse himself: some found his manic presence the whole point, while Ebert and Siskel felt his overbearing antics in the second half dragged the film down and compared it unfavorably to Ghostbusters. The film's visual invention drew broader agreement than its comedy did.
“too much of a not very good thing”
Chicago Tribune
“tries anything and everything for effect, and only occasionally manages something marginally funny”
Janet Maslin·The New York Times
Fantasy, Comedy