Somewhere in Los Angeles, the city of broken dreams, a stripper is murdered. Now, the private detective she had hired and her ex-footballer boyfriend are going to find her murderer... if they don't kill each other first. But the more they dig, the deeper they become enmeshed in a web of extortion, blackmail and corrupt politics hidden beneath the surface of professional football.
Critics in 1991 were sharply split — some found it a knowingly trashy, well-crafted action film, others dismissed it as cynically misogynistic formula. Audiences rated it more warmly than reviewers, and retrospective opinion has tilted further in the film's favor, with the Willis-Wayans chemistry and Tony Scott's self-aware direction now cited as genuine strengths.
“a superb example of what it is: a glossy, skillful, cynical, smart, utterly corrupt and vilely misogynistic action thriller.”
Roger Ebert·Chicago Sun-Times
“a cheerfully disreputable buddy thriller that also happens to be one of the most entertaining movies of the season ... [and] gives the actors room to stretch out.”
Entertainment Weekly
“a haze of barely connected story lines about political corruption, pro-football, gambling, infidelity, and blackmail [where] all the questions are answered by another car chase, smashing someone in the face or shooting someone in the forehead.”
Variety
“the filmic equivalent of a hate crime. ... It's mindless, anti-civilization formula for boys who can't get enough.”
Desson Howe·The Washington Post
“The neo-noir thriller The Last Boy Scout is on some level (also) trash — bookended by wildly over-the-top action sequences at football stadiums — elevated not only by director Tony Scott's self-awareness of how ridiculous it all is, but by the sheer force of Willis' performance as a disgraced Secret Service agent turned seedy private detective”
Alan Sepinwall·Rolling Stone
Action, Thriller
Somewhere in Los Angeles, the city of broken dreams, a stripper is murdered. Now, the private detective she had hired and her ex-footballer boyfriend are going to find her murderer... if they don't kill each other first. But the more they dig, the deeper they become enmeshed in a web of extortion, blackmail and corrupt politics hidden beneath the surface of professional football.
Critics in 1991 were sharply split — some found it a knowingly trashy, well-crafted action film, others dismissed it as cynically misogynistic formula. Audiences rated it more warmly than reviewers, and retrospective opinion has tilted further in the film's favor, with the Willis-Wayans chemistry and Tony Scott's self-aware direction now cited as genuine strengths.
“a superb example of what it is: a glossy, skillful, cynical, smart, utterly corrupt and vilely misogynistic action thriller.”
Roger Ebert·Chicago Sun-Times
“a cheerfully disreputable buddy thriller that also happens to be one of the most entertaining movies of the season ... [and] gives the actors room to stretch out.”
Entertainment Weekly
“a haze of barely connected story lines about political corruption, pro-football, gambling, infidelity, and blackmail [where] all the questions are answered by another car chase, smashing someone in the face or shooting someone in the forehead.”
Variety
“the filmic equivalent of a hate crime. ... It's mindless, anti-civilization formula for boys who can't get enough.”
Desson Howe·The Washington Post
“The neo-noir thriller The Last Boy Scout is on some level (also) trash — bookended by wildly over-the-top action sequences at football stadiums — elevated not only by director Tony Scott's self-awareness of how ridiculous it all is, but by the sheer force of Willis' performance as a disgraced Secret Service agent turned seedy private detective”
Alan Sepinwall·Rolling Stone
Action, Thriller
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