The adventures of two amiably aimless metal-head friends, Wayne and Garth. From Wayne's basement, the pair broadcast a talk-show called "Wayne's World" on local public access television. The show comes to the attention of a sleazy network executive who wants to produce a big-budget version of "Wayne's World"—and he also wants Wayne's girlfriend, a rock singer named Cassandra. Wayne and Garth have to battle the executive not only to save their show, but also Cassandra.
Critics at the time were genuinely split — professional reviewers tended to find more wit and warmth beneath the SNL-sketch surface than they anticipated, while others saw a thin premise struggling to sustain a full film. The ending in particular drew fire as an evasion rather than a payoff. Audiences embraced it far more warmly than the critical consensus suggests, and its catchphrases and characters have only grown fonder in popular memory.
“I walked into Wayne's World expecting a lot of dumb, vulgar comedy, and I got plenty, but I also found what I didn't expect: a genuinely amusing, sometimes even intelligent, undercurrent.”
Roger Ebert·Chicago Sun-Times
“very funny and most original comedy”
Gene Siskel·Chicago Tribune
“an attempt to lampoon movie endings”
The Washington Post
Comedy, Music
The adventures of two amiably aimless metal-head friends, Wayne and Garth. From Wayne's basement, the pair broadcast a talk-show called "Wayne's World" on local public access television. The show comes to the attention of a sleazy network executive who wants to produce a big-budget version of "Wayne's World"—and he also wants Wayne's girlfriend, a rock singer named Cassandra. Wayne and Garth have to battle the executive not only to save their show, but also Cassandra.
Critics at the time were genuinely split — professional reviewers tended to find more wit and warmth beneath the SNL-sketch surface than they anticipated, while others saw a thin premise struggling to sustain a full film. The ending in particular drew fire as an evasion rather than a payoff. Audiences embraced it far more warmly than the critical consensus suggests, and its catchphrases and characters have only grown fonder in popular memory.
“I walked into Wayne's World expecting a lot of dumb, vulgar comedy, and I got plenty, but I also found what I didn't expect: a genuinely amusing, sometimes even intelligent, undercurrent.”
Roger Ebert·Chicago Sun-Times
“very funny and most original comedy”
Gene Siskel·Chicago Tribune
“an attempt to lampoon movie endings”
The Washington Post
Comedy, Music
Stream