Robbie, a local rock star turned wedding singer, is dumped on the day of his wedding. Meanwhile, waitress Julia finally sets a wedding date with her fiancée Glenn. When Julia and Robbie meet and hit it off, they find that things are more complicated than anybody thought.
A conventional romantic comedy that critics found more charming than original, The Wedding Singer was received as a genuine recalibration of Adam Sandler's persona — softer, sweeter, and more likable — though opinions split on whether the 1980s nostalgia enriched the film or simply papered over slack plotting and tonal inconsistency. Drew Barrymore's warmth drew near-universal approval even from skeptics, while the central criticism clustered around a formula that alternates between sincerity and mean-spirited humor without fully committing to either.
“the film alternates between sweetness and cruelty in a way that undermines its romantic intentions”
Roger Ebert·Chicago Sun-Times
“the film's charm is easy to feel even when its pacing and joke-writing falter”
Stephanie Zacharek·Salon.com
“the reference-heavy approach could become forced”
Ruthe Stein·San Francisco Chronicle
“the nostalgia as heavily applied even while allowing for the film's light, audience-friendly pleasures”
Marc Savlov·The Austin Chronicle
Romance, Comedy
Robbie, a local rock star turned wedding singer, is dumped on the day of his wedding. Meanwhile, waitress Julia finally sets a wedding date with her fiancée Glenn. When Julia and Robbie meet and hit it off, they find that things are more complicated than anybody thought.
A conventional romantic comedy that critics found more charming than original, The Wedding Singer was received as a genuine recalibration of Adam Sandler's persona — softer, sweeter, and more likable — though opinions split on whether the 1980s nostalgia enriched the film or simply papered over slack plotting and tonal inconsistency. Drew Barrymore's warmth drew near-universal approval even from skeptics, while the central criticism clustered around a formula that alternates between sincerity and mean-spirited humor without fully committing to either.
“the film alternates between sweetness and cruelty in a way that undermines its romantic intentions”
Roger Ebert·Chicago Sun-Times
“the film's charm is easy to feel even when its pacing and joke-writing falter”
Stephanie Zacharek·Salon.com
“the reference-heavy approach could become forced”
Ruthe Stein·San Francisco Chronicle
“the nostalgia as heavily applied even while allowing for the film's light, audience-friendly pleasures”
Marc Savlov·The Austin Chronicle
Romance, Comedy