Years have passed since the Three Musketeers, Aramis, Athos and Porthos, have fought together with their friend, D'Artagnan. But with the tyrannical King Louis using his power to wreak havoc in the kingdom while his twin brother, Philippe, remains imprisoned, the Musketeers reunite to abduct Louis and replace him with Philippe.
Critics found this swashbuckler handsomely mounted but dramatically hollow, with most of the blame falling on a screenplay that takes too long to set up its plot and a direction that never unifies the film's tonal lurches between slapstick and tragedy. DiCaprio's dual roles were broadly seen as a weak point rather than a selling point, though audiences responded considerably more warmly than critics did.
“Once all the pieces of the plot were in place, I was at least interested, if not overwhelmed; I could see how, with a rewrite and a better focus, this could have been a film of "Braveheart" quality instead of basically just a costume swashbuckler.”
Roger Ebert·Chicago Sun-Times
“production values are not lacking... Wallace, in his first try at directing, has been unable to unify the film's disparate elements. There's swordplay and tragedy, slapstick and romance, lots of DiCaprio for all those teenage girls--there's everything but a consistent style.”
Kenneth Turan·Los Angeles Times
Adventure, Action, Drama
Years have passed since the Three Musketeers, Aramis, Athos and Porthos, have fought together with their friend, D'Artagnan. But with the tyrannical King Louis using his power to wreak havoc in the kingdom while his twin brother, Philippe, remains imprisoned, the Musketeers reunite to abduct Louis and replace him with Philippe.
Critics found this swashbuckler handsomely mounted but dramatically hollow, with most of the blame falling on a screenplay that takes too long to set up its plot and a direction that never unifies the film's tonal lurches between slapstick and tragedy. DiCaprio's dual roles were broadly seen as a weak point rather than a selling point, though audiences responded considerably more warmly than critics did.
“Once all the pieces of the plot were in place, I was at least interested, if not overwhelmed; I could see how, with a rewrite and a better focus, this could have been a film of "Braveheart" quality instead of basically just a costume swashbuckler.”
Roger Ebert·Chicago Sun-Times
“production values are not lacking... Wallace, in his first try at directing, has been unable to unify the film's disparate elements. There's swordplay and tragedy, slapstick and romance, lots of DiCaprio for all those teenage girls--there's everything but a consistent style.”
Kenneth Turan·Los Angeles Times
Adventure, Action, Drama