Legless Southern inventor Dr. Arliss Loveless plans to rekindle the Civil War by assassinating President Ulysses S. Grant. Only two men can stop him: gunfighter James West and master-of-disguise and inventor Artemus Gordon. The two must team up to thwart Loveless' plans.
One of the more notorious big-budget misfires of the late 1990s, Wild Wild West was savaged by critics who found its lavish effects no substitute for coherent storytelling or genuine comedy. The near-universal complaint was a script too thin to support its own spectacle, leaving characters with no emotional grounding and jokes that simply fail to land.
“Wild Wild West is a comedy dead zone. You stare in disbelief as scenes flop and die. The movie is all concept and no content; the elaborate special effects are like watching money burn on the screen.”
Roger Ebert·Chicago Sun-Times
“leaves reality so far behind that its storytelling would be arbitrary even by comic-book standards, and its characters share no common ground or emotional connection.”
Janet Maslin·New York Times
Action, Adventure, Comedy, Science Fiction, Western
Legless Southern inventor Dr. Arliss Loveless plans to rekindle the Civil War by assassinating President Ulysses S. Grant. Only two men can stop him: gunfighter James West and master-of-disguise and inventor Artemus Gordon. The two must team up to thwart Loveless' plans.
One of the more notorious big-budget misfires of the late 1990s, Wild Wild West was savaged by critics who found its lavish effects no substitute for coherent storytelling or genuine comedy. The near-universal complaint was a script too thin to support its own spectacle, leaving characters with no emotional grounding and jokes that simply fail to land.
“Wild Wild West is a comedy dead zone. You stare in disbelief as scenes flop and die. The movie is all concept and no content; the elaborate special effects are like watching money burn on the screen.”
Roger Ebert·Chicago Sun-Times
“leaves reality so far behind that its storytelling would be arbitrary even by comic-book standards, and its characters share no common ground or emotional connection.”
Janet Maslin·New York Times
Action, Adventure, Comedy, Science Fiction, Western