After proving himself on the field of battle in the French and Indian War, Benjamin Martin wants nothing more to do with such things, preferring the simple life of a farmer. But when his son Gabriel enlists in the army to defend their new nation, America, against the British, Benjamin reluctantly returns to his old life to protect his son.
A modestly mixed reception greeted this Roland Emmerich Revolutionary War epic: critics found it entertaining enough as a summer blockbuster but faulted its reliance on melodrama, cartoonish villainy, and historical liberties. Gibson's performance was a consistent bright spot, while the film's blend of sentimentality and graphic violence struck many as uneasy.
“a gruesome hybrid, a mix of sentimentality and brutality”
Elvis Mitchell·The New York Times
“I enjoyed the strength and conviction of Gibson's performance, the sweep of the battle scenes, and the absurdity of the British caricatures. None of it has much to do with the historical reality of the Revolutionary War, but with such an enormous budget at risk, how could it?”
Roger Ebert·RogerEbert.com
Drama, History, War, Action
After proving himself on the field of battle in the French and Indian War, Benjamin Martin wants nothing more to do with such things, preferring the simple life of a farmer. But when his son Gabriel enlists in the army to defend their new nation, America, against the British, Benjamin reluctantly returns to his old life to protect his son.
A modestly mixed reception greeted this Roland Emmerich Revolutionary War epic: critics found it entertaining enough as a summer blockbuster but faulted its reliance on melodrama, cartoonish villainy, and historical liberties. Gibson's performance was a consistent bright spot, while the film's blend of sentimentality and graphic violence struck many as uneasy.
“a gruesome hybrid, a mix of sentimentality and brutality”
Elvis Mitchell·The New York Times
“I enjoyed the strength and conviction of Gibson's performance, the sweep of the battle scenes, and the absurdity of the British caricatures. None of it has much to do with the historical reality of the Revolutionary War, but with such an enormous budget at risk, how could it?”
Roger Ebert·RogerEbert.com
Drama, History, War, Action