The year is 1965 and America is at war with North Vietnam. Commanding the air cavalry is Lt. Col. Hal Moore (Gibson), a born leader committed to his troops. His target: the Ia Drang Valley, called "The Valley of Death." As Moore prepares for one of the most violent battles in U.S. history, he delivers a stirring promise to his soldiers and their families: "I will leave no man behind...dead or alive. We will all come home together."
A moderately well-received Vietnam War film whose central argument — that both sides deserve human dignity — drew genuine admiration, while its willingness to sidestep the moral and political wreckage of the war divided critics sharply. Gibson's performance and the coherence of its battle sequences earned consistent praise; the question was whether the film's square-jawed emotional register was honest tribute or sanitized mythology.
“Black Hawk Down was criticized because the characters seemed hard to tell apart. We Were Soldiers doesn't have that problem; in the Hollywood tradition it identifies a few key players, casts them with stars, and follows their stories.”
Roger Ebert·Chicago Sun-Times
“The writer-director bestows honor – generously, apolitically – not only on the dead and still living American veterans who fought in Ia Drang, but also on their families, on their Vietnamese adversaries, and on the families of their adversaries too. Rarely has a foe been portrayed with such measured respect for a separate reality”
Lisa Schwarzbaum·Entertainment Weekly
“We Were Soldiers is shameless in this regard, filling the screen with square-jawed officers who weep at the carnage and fresh-faced GIs who use their last breaths to intone things like, 'I'm glad I died for my country.”
David Sterritt·Christian Science Monitor
“Gibson's performance anchors the film with commanding star power to burn. This officer truly loves his men, and the credibility with which the actor can express Moore's leadership qualities, as well as his sensitive side, is genuinely impressive.”
Todd McCarthy·Variety
Action, History, War
The year is 1965 and America is at war with North Vietnam. Commanding the air cavalry is Lt. Col. Hal Moore (Gibson), a born leader committed to his troops. His target: the Ia Drang Valley, called "The Valley of Death." As Moore prepares for one of the most violent battles in U.S. history, he delivers a stirring promise to his soldiers and their families: "I will leave no man behind...dead or alive. We will all come home together."
A moderately well-received Vietnam War film whose central argument — that both sides deserve human dignity — drew genuine admiration, while its willingness to sidestep the moral and political wreckage of the war divided critics sharply. Gibson's performance and the coherence of its battle sequences earned consistent praise; the question was whether the film's square-jawed emotional register was honest tribute or sanitized mythology.
“Black Hawk Down was criticized because the characters seemed hard to tell apart. We Were Soldiers doesn't have that problem; in the Hollywood tradition it identifies a few key players, casts them with stars, and follows their stories.”
Roger Ebert·Chicago Sun-Times
“The writer-director bestows honor – generously, apolitically – not only on the dead and still living American veterans who fought in Ia Drang, but also on their families, on their Vietnamese adversaries, and on the families of their adversaries too. Rarely has a foe been portrayed with such measured respect for a separate reality”
Lisa Schwarzbaum·Entertainment Weekly
“We Were Soldiers is shameless in this regard, filling the screen with square-jawed officers who weep at the carnage and fresh-faced GIs who use their last breaths to intone things like, 'I'm glad I died for my country.”
David Sterritt·Christian Science Monitor
“Gibson's performance anchors the film with commanding star power to burn. This officer truly loves his men, and the credibility with which the actor can express Moore's leadership qualities, as well as his sensitive side, is genuinely impressive.”
Todd McCarthy·Variety
Action, History, War