A corrupt CIA agent Sands hires hitman El Mariachi to assassinate a Mexican general hired by a drug kingpin attempting a coup d'état of the President of Mexico.
Rodriguez's finale to his Mariachi trilogy lands as a mixed bag: stylistically alive in flashes but narratively incoherent, with Johnny Depp's scene-stealing turn as the rogue CIA agent emerging as the film's most-discussed asset. Critics who enjoyed it did so despite the plot, praising its pulpy energy and Leone-inflected swagger; detractors found the style hollow and the escalating violence a cover for a director running out of ideas.
“Like Leone's movie, the Rodriguez epic is more interested in the moment, in great shots, in surprises and ironic reversals and closeups of sweaty faces, than in a coherent story.”
Roger Ebert·Chicago Sun-Times
“winking grace notes of Brandoesque flakery ... is as minimal and laid-back as his Pirates of the Caribbean turn was deep-dish theatrical”
Owen Gleiberman·Entertainment Weekly
Action, Crime, Thriller, Western
A corrupt CIA agent Sands hires hitman El Mariachi to assassinate a Mexican general hired by a drug kingpin attempting a coup d'état of the President of Mexico.
Rodriguez's finale to his Mariachi trilogy lands as a mixed bag: stylistically alive in flashes but narratively incoherent, with Johnny Depp's scene-stealing turn as the rogue CIA agent emerging as the film's most-discussed asset. Critics who enjoyed it did so despite the plot, praising its pulpy energy and Leone-inflected swagger; detractors found the style hollow and the escalating violence a cover for a director running out of ideas.
“Like Leone's movie, the Rodriguez epic is more interested in the moment, in great shots, in surprises and ironic reversals and closeups of sweaty faces, than in a coherent story.”
Roger Ebert·Chicago Sun-Times
“winking grace notes of Brandoesque flakery ... is as minimal and laid-back as his Pirates of the Caribbean turn was deep-dish theatrical”
Owen Gleiberman·Entertainment Weekly
Action, Crime, Thriller, Western