When a mafia accountant is taken hostage on his beat, a police officer – wracked by guilt from a prior stint as a negotiator – must negotiate the standoff, even as his own family is held captive by the mob.
Critics largely dismissed Hostage as a clichéd and sadistic thriller, though a minority found it a competently crafted action film elevated by Willis's physical and emotional performance. The divide runs along whether its relentless escalation of threat feels engineered or genuinely gripping.
“In scenes where a hero must outgun four or five armed opponents, however, Hostage does use the reliable action movie technique of cutting from one target to the next, so that we never see what the others are doing while the first ones are being shot. Waiting for their closeups, I suppose.”
Roger Ebert·Chicago Sun-Times
Action, Thriller, Crime
When a mafia accountant is taken hostage on his beat, a police officer – wracked by guilt from a prior stint as a negotiator – must negotiate the standoff, even as his own family is held captive by the mob.
Critics largely dismissed Hostage as a clichéd and sadistic thriller, though a minority found it a competently crafted action film elevated by Willis's physical and emotional performance. The divide runs along whether its relentless escalation of threat feels engineered or genuinely gripping.
“In scenes where a hero must outgun four or five armed opponents, however, Hostage does use the reliable action movie technique of cutting from one target to the next, so that we never see what the others are doing while the first ones are being shot. Waiting for their closeups, I suppose.”
Roger Ebert·Chicago Sun-Times
Action, Thriller, Crime
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