A teenage loner pushes his way into the underworld of a high school crime ring to investigate the disappearance of his ex-girlfriend.
Rian Johnson's noir-transplanted-to-high-school debut earned genuine admiration for its audacity and craft, but divided critics on whether the hard-boiled period slang was an immersive stylistic commitment or a distancing affectation that kept audiences from ever caring about the characters. Joseph Gordon-Levitt's performance was generally singled out as a compelling anchor, even by those who felt the film around him kept everyone at arm's length.
“The story is never clear while it unfolds, but it provides a rich source of dialogue, behavior and incidents.”
Roger Ebert·Chicago Sun-Times
“A spoof would have been easy. Instead, Johnson plunges off the deep end, risking ridicule by shaping this spellbinder with grit and gravitas.”
Peter Travers·Rolling Stone
“the film's ham-handed reliance on period argot not only wears thin; it keeps the characters, such as they are, at a chilly distance.”
Stephen Holden·The New York Times
Drama, Mystery, Crime
A teenage loner pushes his way into the underworld of a high school crime ring to investigate the disappearance of his ex-girlfriend.
Rian Johnson's noir-transplanted-to-high-school debut earned genuine admiration for its audacity and craft, but divided critics on whether the hard-boiled period slang was an immersive stylistic commitment or a distancing affectation that kept audiences from ever caring about the characters. Joseph Gordon-Levitt's performance was generally singled out as a compelling anchor, even by those who felt the film around him kept everyone at arm's length.
“The story is never clear while it unfolds, but it provides a rich source of dialogue, behavior and incidents.”
Roger Ebert·Chicago Sun-Times
“A spoof would have been easy. Instead, Johnson plunges off the deep end, risking ridicule by shaping this spellbinder with grit and gravitas.”
Peter Travers·Rolling Stone
“the film's ham-handed reliance on period argot not only wears thin; it keeps the characters, such as they are, at a chilly distance.”
Stephen Holden·The New York Times
Drama, Mystery, Crime