A young married couple becomes stranded at an isolated motel and find hidden video cameras in their room. They realize that unless they escape, they'll be the next victims of a snuff film.
Vacancy lands in genuinely mixed territory: critics agreed the film opens with real Hitchcockian tension and that director Nimrod Antal shows craft with atmosphere and close-up dread, but they split sharply over whether any of that goodwill survives the ending, which multiple reviewers found abrupt or deflating. The thin characters drew particular fire, with some finding the protagonists' decision-making so contrived it undermined the suspense the first act worked hard to build.
“I don't know when I've seen a thriller this unpretentiously well-crafted sputter to so inconsequential an end.”
Ty Burr·The Boston Globe
“What makes Nimrod Antal's film genuinely scary and gripping is that the script and acting are far better than [...] your routine slasher/shocker knock-off.”
The Guardian
“with two appealing leads and a nifty opening credits sequence, Vacancy seems like it has potential”
Richard Roeper·Ebert and Roeper
“the build-up is better than the main event.”
Empire
Horror, Thriller
A young married couple becomes stranded at an isolated motel and find hidden video cameras in their room. They realize that unless they escape, they'll be the next victims of a snuff film.
Vacancy lands in genuinely mixed territory: critics agreed the film opens with real Hitchcockian tension and that director Nimrod Antal shows craft with atmosphere and close-up dread, but they split sharply over whether any of that goodwill survives the ending, which multiple reviewers found abrupt or deflating. The thin characters drew particular fire, with some finding the protagonists' decision-making so contrived it undermined the suspense the first act worked hard to build.
“I don't know when I've seen a thriller this unpretentiously well-crafted sputter to so inconsequential an end.”
Ty Burr·The Boston Globe
“What makes Nimrod Antal's film genuinely scary and gripping is that the script and acting are far better than [...] your routine slasher/shocker knock-off.”
The Guardian
“with two appealing leads and a nifty opening credits sequence, Vacancy seems like it has potential”
Richard Roeper·Ebert and Roeper
“the build-up is better than the main event.”
Empire
Horror, Thriller