A DEA agent whose family was slain as part of a conspiracy, and an assassin out to avenge her sister's death, join forces to solve a series of murders in New York City.
One of the more roundly dismissed video-game adaptations of its era, Max Payne was panned for a screenplay critics found illogical and derivative, with its visual style seen less as a strength and more as a distraction papering over those structural problems. Even fans of the source game found little to defend, and the film's own IGN 'Best Videogame Adaptation' win came with the caveat that it was the least bad option in a dismal year for the genre.
“It also doesn't help that Wahlberg gives a drab performance...”
Jim Vejvoda·IGN
“[Thorne] knows enough about cinema to borrow from here and there but not old enough to be embarrassed about how badly he does so.”
Kirk Honeycutt·The Hollywood Reporter
“it could have done with more of the Norse and less of the force.”
Bruce Paterson·Australian Film Critics Association
“explores genuine, contemporary anxiety [and that] his images are richer than his plots.”
Armond White·New York Press
Crime, Action, Drama
A DEA agent whose family was slain as part of a conspiracy, and an assassin out to avenge her sister's death, join forces to solve a series of murders in New York City.
One of the more roundly dismissed video-game adaptations of its era, Max Payne was panned for a screenplay critics found illogical and derivative, with its visual style seen less as a strength and more as a distraction papering over those structural problems. Even fans of the source game found little to defend, and the film's own IGN 'Best Videogame Adaptation' win came with the caveat that it was the least bad option in a dismal year for the genre.
“It also doesn't help that Wahlberg gives a drab performance...”
Jim Vejvoda·IGN
“[Thorne] knows enough about cinema to borrow from here and there but not old enough to be embarrassed about how badly he does so.”
Kirk Honeycutt·The Hollywood Reporter
“it could have done with more of the Norse and less of the force.”
Bruce Paterson·Australian Film Critics Association
“explores genuine, contemporary anxiety [and that] his images are richer than his plots.”
Armond White·New York Press
Crime, Action, Drama