After being brutally murdered, 14-year-old Susie Salmon watches from heaven over her grief-stricken family -- and her killer. As she observes their daily lives, she must balance her thirst for revenge with her desire for her family to heal.
Peter Jackson's adaptation of Alice Sebold's novel landed with most critics as a tonal disaster — a film that can't reconcile its murder-mystery thriller elements with its pastel-colored afterlife fantasy. Saoirse Ronan and Stanley Tucci drew near-universal praise, but the question critics kept returning to was whether Jackson's visual maximalism actively sabotaged the emotional story underneath it.
“bold, daring original filmmaking, with arguably more emotional and intellectual meat to chew on than either the Rings trilogy or Kong”
Ian Freer·Empire
“Jackson gets the thriller scenes right”
Claudia Puig·USA Today
“an expensive-looking mess that fails to capture the mood, and the poetry, of its source material”
Stephanie Zacharek·Salon
“Jackson is too enamored with the idea of mixing heaven and the heebie-jeebies, so he's made the skeevy equivalent of a Mitch Albom book with some pulp fiction pressed between its covers”
Joe Neumaier·New York Daily News
Fantasy, Drama
After being brutally murdered, 14-year-old Susie Salmon watches from heaven over her grief-stricken family -- and her killer. As she observes their daily lives, she must balance her thirst for revenge with her desire for her family to heal.
Peter Jackson's adaptation of Alice Sebold's novel landed with most critics as a tonal disaster — a film that can't reconcile its murder-mystery thriller elements with its pastel-colored afterlife fantasy. Saoirse Ronan and Stanley Tucci drew near-universal praise, but the question critics kept returning to was whether Jackson's visual maximalism actively sabotaged the emotional story underneath it.
“bold, daring original filmmaking, with arguably more emotional and intellectual meat to chew on than either the Rings trilogy or Kong”
Ian Freer·Empire
“Jackson gets the thriller scenes right”
Claudia Puig·USA Today
“an expensive-looking mess that fails to capture the mood, and the poetry, of its source material”
Stephanie Zacharek·Salon
“Jackson is too enamored with the idea of mixing heaven and the heebie-jeebies, so he's made the skeevy equivalent of a Mitch Albom book with some pulp fiction pressed between its covers”
Joe Neumaier·New York Daily News
Fantasy, Drama
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