Death is just as omnipresent as ever, and is unleashed after one man’s premonition saves a group of coworkers from a terrifying suspension bridge collapse. But this group of unsuspecting souls was never supposed to survive, and, in a terrifying race against time, the ill-fated group frantically tries to discover a way to escape Death’s sinister agenda.
Critics were split down the middle on Final Destination 5, with the franchise faithful and genre enthusiasts finding it a genuine step up from the previous installments, while more skeptical reviewers acknowledged individual set pieces without endorsing the whole. Nearly everyone agreed the opening bridge collapse is the film's standout achievement, and the native 3D photography earned unusually sincere praise for a horror sequel — but whether those technical virtues were enough to elevate what is otherwise a formulaic entry remained the central point of disagreement.
“The opening premonition is nerve-janglingly effective.”
Eric D. Snider·Film.com
“a clean, glossy thriller shot in native 3D (not post-conversion) that maximizes the technology without straining the audience's credulity or their constitutions.”
Todd Gilchrist·Boxoffice Magazine
“the special effects do an excellent job of beheading, incinerating, vivisecting, squishing and so on.”
Roger Ebert·Chicago Sun-Times
“The subsequent deaths are hit-or-miss, but they all show some creative spark. Quale sets them up like a cross between a joke and a magic trick, carefully establishing crucial details.”
Film.com
Horror, Mystery
Death is just as omnipresent as ever, and is unleashed after one man’s premonition saves a group of coworkers from a terrifying suspension bridge collapse. But this group of unsuspecting souls was never supposed to survive, and, in a terrifying race against time, the ill-fated group frantically tries to discover a way to escape Death’s sinister agenda.
Critics were split down the middle on Final Destination 5, with the franchise faithful and genre enthusiasts finding it a genuine step up from the previous installments, while more skeptical reviewers acknowledged individual set pieces without endorsing the whole. Nearly everyone agreed the opening bridge collapse is the film's standout achievement, and the native 3D photography earned unusually sincere praise for a horror sequel — but whether those technical virtues were enough to elevate what is otherwise a formulaic entry remained the central point of disagreement.
“The opening premonition is nerve-janglingly effective.”
Eric D. Snider·Film.com
“a clean, glossy thriller shot in native 3D (not post-conversion) that maximizes the technology without straining the audience's credulity or their constitutions.”
Todd Gilchrist·Boxoffice Magazine
“the special effects do an excellent job of beheading, incinerating, vivisecting, squishing and so on.”
Roger Ebert·Chicago Sun-Times
“The subsequent deaths are hit-or-miss, but they all show some creative spark. Quale sets them up like a cross between a joke and a magic trick, carefully establishing crucial details.”
Film.com
Horror, Mystery