A series of interconnected short films are the backdrop for a maniac screenwriter who pitches insane storylines featuring some of Hollywood's biggest and brightest. In some countries, like the United Kingdom and the Netherlands, the structure differs. Instead of a pitch, the films are connected by a group of three teenagers searching for the most banned film in the world, Movie 43, which will ultimately lead to the destruction of civilization.
One of the most critically reviled wide releases in recent memory, with nearly every reviewer treating it as a benchmark for how bad studio comedy can get. The sketch format drew near-universal contempt for its scattershot offensiveness and squandered ensemble cast — though a small handful of critics found its commitment to tastelessness genuinely, if guiltily, funny.
“An execrable waste cooked up by a hell's kitchen of directors and writers. It's death-of-laughter by committee. Its title? Because it's like one of those many asteroids out there—a dismal chunk of rock hurtling through an empty void, without purpose.”
Brian Gibson·Vue Weekly
“Movie 43 is the Citizen Kane of awful”
Richard Roeper·Roger Ebert's website
“the work of a confused man thrashing around in an industry he no longer understands”
Robbie Collin·The Daily Telegraph
“Right now, I can't think of one worse than Movie 43.”
Elizabeth Weitzman·New York Daily News
“gross, juvenile, disgusting, scatological, vile, reprehensible and in the worst possible taste. But heaven help me, I laughed.”
Alonso Duralde·TheWrap
Comedy
A series of interconnected short films are the backdrop for a maniac screenwriter who pitches insane storylines featuring some of Hollywood's biggest and brightest. In some countries, like the United Kingdom and the Netherlands, the structure differs. Instead of a pitch, the films are connected by a group of three teenagers searching for the most banned film in the world, Movie 43, which will ultimately lead to the destruction of civilization.
One of the most critically reviled wide releases in recent memory, with nearly every reviewer treating it as a benchmark for how bad studio comedy can get. The sketch format drew near-universal contempt for its scattershot offensiveness and squandered ensemble cast — though a small handful of critics found its commitment to tastelessness genuinely, if guiltily, funny.
“An execrable waste cooked up by a hell's kitchen of directors and writers. It's death-of-laughter by committee. Its title? Because it's like one of those many asteroids out there—a dismal chunk of rock hurtling through an empty void, without purpose.”
Brian Gibson·Vue Weekly
“Movie 43 is the Citizen Kane of awful”
Richard Roeper·Roger Ebert's website
“the work of a confused man thrashing around in an industry he no longer understands”
Robbie Collin·The Daily Telegraph
“Right now, I can't think of one worse than Movie 43.”
Elizabeth Weitzman·New York Daily News
“gross, juvenile, disgusting, scatological, vile, reprehensible and in the worst possible taste. But heaven help me, I laughed.”
Alonso Duralde·TheWrap
Comedy