After Kick-Ass' insane bravery inspires a new wave of self-made masked crusaders, he joins a patrol led by the Colonel Stars and Stripes. When these amateur superheroes are hunted down by Red Mist — reborn as The Mother Fucker — only the blade-wielding Hit-Girl can prevent their annihilation.
Critics largely dismissed Kick-Ass 2 as a clumsy, overcrowded follow-up that fails to recapture what made the original work, with particular scorn aimed at its juvenile humor, handling of violence, and Aaron Taylor-Johnson's lead performance. The few warmer reviews acknowledged it as a reasonably faithful crowd-pleaser that at least doesn't oversell its own outrageousness — but even fans of the film tended to call it a step down.
“There isn't anything good to say about Kick-Ass 2, the even more witless, mirthless follow-up to Kick-Ass.”
Manohla Dargis·The New York Times
“Kick-Ass 2 is a lesser version of what it appears to be, an uncertain jumble rather than a true exploration of outrage, violence and identity.”
Mark Olsen·Los Angeles Times
“Kick-Ass 2 improves on its 2010 predecessor in at least one respect: It doesn't make the mistake of trying to pass off its bone-crunching brutality as something shocking or subversive.”
Justin Chang·Variety
“The sequel to 2010's punk-superhero rampage has lost quite a bit of shock value – but Chloë Grace Moretz's Hit-Girl is still the coolest thing in a cape.”
Peter Bradshaw·The Guardian
“limp, unlikable results offered [by this film]”
PopMatters
Action, Adventure, Crime
After Kick-Ass' insane bravery inspires a new wave of self-made masked crusaders, he joins a patrol led by the Colonel Stars and Stripes. When these amateur superheroes are hunted down by Red Mist — reborn as The Mother Fucker — only the blade-wielding Hit-Girl can prevent their annihilation.
Critics largely dismissed Kick-Ass 2 as a clumsy, overcrowded follow-up that fails to recapture what made the original work, with particular scorn aimed at its juvenile humor, handling of violence, and Aaron Taylor-Johnson's lead performance. The few warmer reviews acknowledged it as a reasonably faithful crowd-pleaser that at least doesn't oversell its own outrageousness — but even fans of the film tended to call it a step down.
“There isn't anything good to say about Kick-Ass 2, the even more witless, mirthless follow-up to Kick-Ass.”
Manohla Dargis·The New York Times
“Kick-Ass 2 is a lesser version of what it appears to be, an uncertain jumble rather than a true exploration of outrage, violence and identity.”
Mark Olsen·Los Angeles Times
“Kick-Ass 2 improves on its 2010 predecessor in at least one respect: It doesn't make the mistake of trying to pass off its bone-crunching brutality as something shocking or subversive.”
Justin Chang·Variety
“The sequel to 2010's punk-superhero rampage has lost quite a bit of shock value – but Chloë Grace Moretz's Hit-Girl is still the coolest thing in a cape.”
Peter Bradshaw·The Guardian
“limp, unlikable results offered [by this film]”
PopMatters
Action, Adventure, Crime
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