Rebecca must unlock the terror behind her little brother's experiences that once tested her sanity, bringing her face to face with a supernatural spirit attached to their mother.
A horror film that divided critics more sharply than its fresh aggregate suggests — enthusiasts found it a lean, emotionally grounded supernatural chiller built around an ingeniously simple monster, while detractors argued that the central conceit gets repetitive fast and that the characters and screenplay are too thin to support the scares. The gap between the majority who found it genuinely effective and the minority who found it gimmicky is the real story here.
“the film's screenplay focuses almost entirely on the number of resourceful and ingenious ways the characters dream up to keep the lights on, stave off the next attack and stay alive—lights from candles, flashlights, cellphones, the car in the driveway—before the batteries die; The fun wears out fast and so does the "gotcha" factor.”
Rex Reed·Observer
Horror
Rebecca must unlock the terror behind her little brother's experiences that once tested her sanity, bringing her face to face with a supernatural spirit attached to their mother.
A horror film that divided critics more sharply than its fresh aggregate suggests — enthusiasts found it a lean, emotionally grounded supernatural chiller built around an ingeniously simple monster, while detractors argued that the central conceit gets repetitive fast and that the characters and screenplay are too thin to support the scares. The gap between the majority who found it genuinely effective and the minority who found it gimmicky is the real story here.
“the film's screenplay focuses almost entirely on the number of resourceful and ingenious ways the characters dream up to keep the lights on, stave off the next attack and stay alive—lights from candles, flashlights, cellphones, the car in the driveway—before the batteries die; The fun wears out fast and so does the "gotcha" factor.”
Rex Reed·Observer
Horror