After an unprecedented series of natural disasters threatened the planet, the world's leaders came together to create an intricate network of satellites to control the global climate and keep everyone safe. But now, something has gone wrong: the system built to protect Earth is attacking it, and it becomes a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything and everyone along with it.
One of the more thoroughly panned films of its year, Geostorm was dismissed by nearly all critics as a spectacular misfire — too dull to work as a guilty pleasure and too incompetent to work as spectacle. The consistent complaint was that the disaster sequences, when they finally arrive, aren't impressive enough to compensate for stretches of leaden plot mechanics and underwritten characters. Audience reception was notably warmer than the critical response, suggesting the film found the undemanding crowd it was aimed at.
“Watching Gerard Butler solve a whodunit is like watching ... chimpanzees move a piano downstairs: a kind of teeth-baring, flea-picking burlesque of recognizable human behavior that's funny for a while until you start to worry about the ethics of it.”
Robbie Collin·The Daily Telegraph
“Geostorm uses digital technology to lay waste to a bunch of cities and hacky screenwriting to assault the dignity of several fine actors.”
A. O. Scott·The New York Times
“The level of boredom I experienced during Geostorm ought to qualify as at least a second-degree felony in the state of New York.”
Alissa Wilkinson·Vox
“Geostorm feels like the sequel to a slightly better, slightly more expensive, significantly more Tom Cruisey film that made all its money in foreign-language territories.”
Donald Clarke·The Irish Times
“a slog, but the final act achieves a kind of transcendent idiocy.”
Matt Singer·ScreenCrush
Action, Science Fiction, Thriller
After an unprecedented series of natural disasters threatened the planet, the world's leaders came together to create an intricate network of satellites to control the global climate and keep everyone safe. But now, something has gone wrong: the system built to protect Earth is attacking it, and it becomes a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything and everyone along with it.
One of the more thoroughly panned films of its year, Geostorm was dismissed by nearly all critics as a spectacular misfire — too dull to work as a guilty pleasure and too incompetent to work as spectacle. The consistent complaint was that the disaster sequences, when they finally arrive, aren't impressive enough to compensate for stretches of leaden plot mechanics and underwritten characters. Audience reception was notably warmer than the critical response, suggesting the film found the undemanding crowd it was aimed at.
“Watching Gerard Butler solve a whodunit is like watching ... chimpanzees move a piano downstairs: a kind of teeth-baring, flea-picking burlesque of recognizable human behavior that's funny for a while until you start to worry about the ethics of it.”
Robbie Collin·The Daily Telegraph
“Geostorm uses digital technology to lay waste to a bunch of cities and hacky screenwriting to assault the dignity of several fine actors.”
A. O. Scott·The New York Times
“The level of boredom I experienced during Geostorm ought to qualify as at least a second-degree felony in the state of New York.”
Alissa Wilkinson·Vox
“Geostorm feels like the sequel to a slightly better, slightly more expensive, significantly more Tom Cruisey film that made all its money in foreign-language territories.”
Donald Clarke·The Irish Times
“a slog, but the final act achieves a kind of transcendent idiocy.”
Matt Singer·ScreenCrush
Action, Science Fiction, Thriller