Stephanie, a dedicated mother and popular vlogger, befriends Emily, a mysterious upper-class woman whose son Nicky attends the same school as Miles, Stephanie's son. When Emily asks her to pick Nicky up from school and then disappears, Stephanie undertakes an investigation that will dive deep into Emily's cloudy past.
Paul Feig's mommy noir works best as a breezy, stylish genre mash-up carried by the chemistry between Anna Kendrick and Blake Lively, though the gap between its enthusiastic critical reception and more tempered audience response suggests the film's campy, self-aware tone won't land for everyone. Critics largely found the tonal juggling act — comedy, thriller, melodrama — entertaining rather than entirely convincing.
“The film feels a lot like the Serge Gainsbourg number that Stephanie dances to in the kitchen: jazzy, a little sleazy, and worth a cult following.”
Amy Nicholson·Variety
“The lip-smacking, acid drops of malice in the latest film from Paul Feig (Bridesmaids) makes this unexpectedly cruel comedy as intoxicating as the mid-afternoon martinis swilled by the two central characters.”
Wendy Ide·The Guardian
Thriller, Comedy, Mystery
Stephanie, a dedicated mother and popular vlogger, befriends Emily, a mysterious upper-class woman whose son Nicky attends the same school as Miles, Stephanie's son. When Emily asks her to pick Nicky up from school and then disappears, Stephanie undertakes an investigation that will dive deep into Emily's cloudy past.
Paul Feig's mommy noir works best as a breezy, stylish genre mash-up carried by the chemistry between Anna Kendrick and Blake Lively, though the gap between its enthusiastic critical reception and more tempered audience response suggests the film's campy, self-aware tone won't land for everyone. Critics largely found the tonal juggling act — comedy, thriller, melodrama — entertaining rather than entirely convincing.
“The film feels a lot like the Serge Gainsbourg number that Stephanie dances to in the kitchen: jazzy, a little sleazy, and worth a cult following.”
Amy Nicholson·Variety
“The lip-smacking, acid drops of malice in the latest film from Paul Feig (Bridesmaids) makes this unexpectedly cruel comedy as intoxicating as the mid-afternoon martinis swilled by the two central characters.”
Wendy Ide·The Guardian
Thriller, Comedy, Mystery