After meeting with newly elected U.S. President Thaddeus Ross, Sam finds himself in the middle of an international incident. He must discover the reason behind a nefarious global plot before the true mastermind has the entire world seeing red.
The fourth-wall-adjacent question of what kind of movie this wants to be sits at the heart of most negative reviews: critics found the political allegory half-baked, the narrative stuffed with undigested MCU connective tissue, and the CGI — particularly in the White House sequence — genuinely distracting. Anthony Mackie and Harrison Ford drew consistent praise, but even admirers of Ford noted that the film leans on him to compensate for a script that gives its new Captain America almost nothing to carry emotionally. A small minority found it a competent, grounded political thriller by recent MCU standards; the majority called it a slop machine running on corporate timidity.
“steadfast refusal to engage with its own ideas, either by artistic design or corporate mandate, reeks of timidity”
William Bibbiani·TheWrap
“in an effort to soothe white America's anger and hurt”
RogerEbert.com
“VFX-heavy sequences are so lifeless and tiresome that I felt my eyes drifting closed a couple of times”
Bilge Ebiri·Vulture
“competently executed, without resorting to played-out gimmickry such as skipping across the multiverse”
Kyle Smith·The Wall Street Journal
“a decent political thriller with something culturally resonant to say that exceeds mere comic-book particulars”
Katie Walsh·Los Angeles Times
Action, Thriller, Science Fiction
After meeting with newly elected U.S. President Thaddeus Ross, Sam finds himself in the middle of an international incident. He must discover the reason behind a nefarious global plot before the true mastermind has the entire world seeing red.
The fourth-wall-adjacent question of what kind of movie this wants to be sits at the heart of most negative reviews: critics found the political allegory half-baked, the narrative stuffed with undigested MCU connective tissue, and the CGI — particularly in the White House sequence — genuinely distracting. Anthony Mackie and Harrison Ford drew consistent praise, but even admirers of Ford noted that the film leans on him to compensate for a script that gives its new Captain America almost nothing to carry emotionally. A small minority found it a competent, grounded political thriller by recent MCU standards; the majority called it a slop machine running on corporate timidity.
“steadfast refusal to engage with its own ideas, either by artistic design or corporate mandate, reeks of timidity”
William Bibbiani·TheWrap
“in an effort to soothe white America's anger and hurt”
RogerEbert.com
“VFX-heavy sequences are so lifeless and tiresome that I felt my eyes drifting closed a couple of times”
Bilge Ebiri·Vulture
“competently executed, without resorting to played-out gimmickry such as skipping across the multiverse”
Kyle Smith·The Wall Street Journal
“a decent political thriller with something culturally resonant to say that exceeds mere comic-book particulars”
Katie Walsh·Los Angeles Times
Action, Thriller, Science Fiction