The night after another unsatisfactory New Year's party, Tim's father reveals to him that the men in their family have the ability to travel through time. They can't change history, but they can change what happens and has happened in their own lives. Thus begins the start of a lesson in learning to appreciate life itself as it is, as it comes, and most importantly, the people living alongside us.
Richard Curtis's time-travel romance landed in mixed-to-favorable territory with critics but found a much warmer audience, a gap that has only widened over time — it ranked high in a recent reader poll despite being middling with press. The central divide was less about the love story and more about whether Curtis's willful sloppiness with his own time-travel rules was charming or frustrating; a striking number of critics independently catalogued the plot holes in detail.
“soft, frayed at the edges, and oh so comfortable”
Robbie Collin·The Daily Telegraph
“The rules and limitations of Tim's gift aren't exactly hard and fast, and the final third of the film is rife with complications that never get quite explained. Rules that previously applied suddenly don't apply ... the time travel rules aren't exactly tight and are occasionally confusing”
Kate Erbland·Film School Rejects
“sets up his rules of temporal engagement, only to break them willy-nilly whenever the prospect of an extra hug rears its head”
Mark Kermode·The Guardian
“at first, is unnerving; as About Time marches on, Gleeson's innate charm gleams through and this weird disconnection becomes quite compelling”
Catherine Shoard·The Guardian
Comedy, Drama, Fantasy
The night after another unsatisfactory New Year's party, Tim's father reveals to him that the men in their family have the ability to travel through time. They can't change history, but they can change what happens and has happened in their own lives. Thus begins the start of a lesson in learning to appreciate life itself as it is, as it comes, and most importantly, the people living alongside us.
Richard Curtis's time-travel romance landed in mixed-to-favorable territory with critics but found a much warmer audience, a gap that has only widened over time — it ranked high in a recent reader poll despite being middling with press. The central divide was less about the love story and more about whether Curtis's willful sloppiness with his own time-travel rules was charming or frustrating; a striking number of critics independently catalogued the plot holes in detail.
“soft, frayed at the edges, and oh so comfortable”
Robbie Collin·The Daily Telegraph
“The rules and limitations of Tim's gift aren't exactly hard and fast, and the final third of the film is rife with complications that never get quite explained. Rules that previously applied suddenly don't apply ... the time travel rules aren't exactly tight and are occasionally confusing”
Kate Erbland·Film School Rejects
“sets up his rules of temporal engagement, only to break them willy-nilly whenever the prospect of an extra hug rears its head”
Mark Kermode·The Guardian
“at first, is unnerving; as About Time marches on, Gleeson's innate charm gleams through and this weird disconnection becomes quite compelling”
Catherine Shoard·The Guardian
Comedy, Drama, Fantasy