An accomplished headhunter risks everything to obtain a valuable painting owned by a former mercenary.
A darkly comic Norwegian thriller that earned broad critical enthusiasm on both sides of the Atlantic, with reviewers drawn to its plot-driven suspense and willingness to let character logic drive the scares rather than spectacle. Norwegian critics were nearly unanimous in their praise at release, while the slight gap between critical and audience enthusiasm suggests the film's tonal blends — gallows humor, corporate satire, and genuine brutality — land differently depending on your appetite for genre hybrids.
“an argument for the kinds of thrillers I miss. It entertains with story elements, in which the scares evolve from human behavior. Unlike too many thrillers that depend on stunts, special effects, and the Queasy cam, this one devises a plot where it matters what happens. It's not all kinetic energy”
Roger Ebert·Chicago Sun-Times
Action, Crime, Thriller
An accomplished headhunter risks everything to obtain a valuable painting owned by a former mercenary.
A darkly comic Norwegian thriller that earned broad critical enthusiasm on both sides of the Atlantic, with reviewers drawn to its plot-driven suspense and willingness to let character logic drive the scares rather than spectacle. Norwegian critics were nearly unanimous in their praise at release, while the slight gap between critical and audience enthusiasm suggests the film's tonal blends — gallows humor, corporate satire, and genuine brutality — land differently depending on your appetite for genre hybrids.
“an argument for the kinds of thrillers I miss. It entertains with story elements, in which the scares evolve from human behavior. Unlike too many thrillers that depend on stunts, special effects, and the Queasy cam, this one devises a plot where it matters what happens. It's not all kinetic energy”
Roger Ebert·Chicago Sun-Times
Action, Crime, Thriller
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