Disgruntled Korean War veteran Walt Kowalski sets out to reform his neighbor, Thao Lor, a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.
Gran Torino earned broad approval as a crowd-pleasing late-career showcase for Eastwood, with most critics celebrating his commanding physical and verbal presence as the cantankerous Walt Kowalski. The film's treatment of race and multicultural understanding drew mainstream praise, but scholars and Asian-American audiences pushed back on its Hmong characterizations and what many identified as a white-savior framework — a tension largely absent from mainstream reviews.
“The notion of a 78-year-old action hero may sound like a contradiction in terms, but Eastwood brings it off, even if his toughness is as much verbal as physical. Even at 78, Eastwood can make 'Get off my lawn' sound as menacing as 'Make my day', and when he says 'I blow a hole in your face and sleep like a baby', he sounds as if he means it”
Kenneth Turan·Los Angeles Times
“It is a monumental face now, so puckered and pleated that it no longer looks merely weathered, as it has for decades, but seems closer to petrified wood.”
Manohla Dargis·The New York Times
“a meditation on tolerance wrapped in the disguise of a movie with a gun-toting Clint Eastwood and a cool car”
Nicole Sperling·Entertainment Weekly
“about the belated flowering of a man's better nature. And it's about Americans of different races growing more open to one another in the new century.”
Roger Ebert·RogerEbert.com
Drama
Disgruntled Korean War veteran Walt Kowalski sets out to reform his neighbor, Thao Lor, a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.
Gran Torino earned broad approval as a crowd-pleasing late-career showcase for Eastwood, with most critics celebrating his commanding physical and verbal presence as the cantankerous Walt Kowalski. The film's treatment of race and multicultural understanding drew mainstream praise, but scholars and Asian-American audiences pushed back on its Hmong characterizations and what many identified as a white-savior framework — a tension largely absent from mainstream reviews.
“The notion of a 78-year-old action hero may sound like a contradiction in terms, but Eastwood brings it off, even if his toughness is as much verbal as physical. Even at 78, Eastwood can make 'Get off my lawn' sound as menacing as 'Make my day', and when he says 'I blow a hole in your face and sleep like a baby', he sounds as if he means it”
Kenneth Turan·Los Angeles Times
“It is a monumental face now, so puckered and pleated that it no longer looks merely weathered, as it has for decades, but seems closer to petrified wood.”
Manohla Dargis·The New York Times
“a meditation on tolerance wrapped in the disguise of a movie with a gun-toting Clint Eastwood and a cool car”
Nicole Sperling·Entertainment Weekly
“about the belated flowering of a man's better nature. And it's about Americans of different races growing more open to one another in the new century.”
Roger Ebert·RogerEbert.com
Drama