With only three weeks left in his three-year contract, Sam Bell is eager to return to Earth. Stationed alone at a Moon-based facility with his computer assistant GERTY, an unexpected accident sets off a series of unsettling events that shake his isolation.
Duncan Jones's debut won broad critical admiration for Sam Rockwell's performance and its willingness to let hard science-fiction ideas drive the story, but a meaningful minority felt the film's self-imposed smallness ultimately worked against it — the claustrophobic restraint that many found atmospheric left others feeling the drama lacked propulsive energy. The gap between the enthusiastic popular reception and the more cautious critical middle ground is the telling detail here.
“Nonetheless, 'Moon' is darkened by its own excellencies: The white, claustrophobic look is apt and moody, but a lack of physical action enervates the story thrust.”
Duane Byrge·The Hollywood Reporter
“the film's ideas are interesting, but don't feel entirely worked out [...]the smallness of this movie is decidedly a virtue, but also, in the end, something of a limitation”
A. O. Scott·The New York Times
“Though it uses impressive sci-fi trappings to tell its story – the fabulous models and moonscapes are recognisably retro yet surprisingly real – this is a film about what it means, and takes, to be human.”
Damon Wise·The Times
“Moon is a superior example of that threatened genre, hard science-fiction, which is often about the interface between humans and alien intelligence of one kind of or other, including digital.”
Roger Ebert·Chicago Sun-Times
Drama, Mystery, Sci-Fi
With only three weeks left in his three-year contract, Sam Bell is eager to return to Earth. Stationed alone at a Moon-based facility with his computer assistant GERTY, an unexpected accident sets off a series of unsettling events that shake his isolation.
Duncan Jones's debut won broad critical admiration for Sam Rockwell's performance and its willingness to let hard science-fiction ideas drive the story, but a meaningful minority felt the film's self-imposed smallness ultimately worked against it — the claustrophobic restraint that many found atmospheric left others feeling the drama lacked propulsive energy. The gap between the enthusiastic popular reception and the more cautious critical middle ground is the telling detail here.
“Nonetheless, 'Moon' is darkened by its own excellencies: The white, claustrophobic look is apt and moody, but a lack of physical action enervates the story thrust.”
Duane Byrge·The Hollywood Reporter
“the film's ideas are interesting, but don't feel entirely worked out [...]the smallness of this movie is decidedly a virtue, but also, in the end, something of a limitation”
A. O. Scott·The New York Times
“Though it uses impressive sci-fi trappings to tell its story – the fabulous models and moonscapes are recognisably retro yet surprisingly real – this is a film about what it means, and takes, to be human.”
Damon Wise·The Times
“Moon is a superior example of that threatened genre, hard science-fiction, which is often about the interface between humans and alien intelligence of one kind of or other, including digital.”
Roger Ebert·Chicago Sun-Times
Drama, Mystery, Sci-Fi