World War II soldier-turned-U.S. Marshal Teddy Daniels investigates the disappearance of a patient from a hospital for the criminally insane, but his efforts are compromised by troubling visions and a mysterious doctor.
Scorsese's pulpy asylum thriller divided critics sharply on release — some found it a masterclass in dread and atmosphere, others thought its elaborate machinery never produced genuine emotional stakes. Audiences were similarly cool at the time, yet the film has steadily built a devoted following that contemporary critics largely missed, a gap that has become its defining story.
“requires multiple viewings to be fully realized as a work of art. Its process is more important than its story, its structure more important than the almost perfunctory plot twists it perpetrates. It's a thriller, a crime story and a tortured psychological parable about collective guilt.”
John Anderson·The Wall Street Journal
“The movie is about: atmosphere, ominous portents, the erosion of Teddy's confidence and even his identity. It's all done with flawless directorial command. Scorsese has fear to evoke, and he does it with many notes.”
Roger Ebert·Chicago Sun-Times
“an aesthetically and at times intellectually exciting puzzle, but it's never emotionally involving”
Dana Stevens·Slate
“Something TERRIBLE is afoot. Sadly, that something turns out to be the movie itself.”
A. O. Scott·The New York Times
Drama, Mystery, Thriller
World War II soldier-turned-U.S. Marshal Teddy Daniels investigates the disappearance of a patient from a hospital for the criminally insane, but his efforts are compromised by troubling visions and a mysterious doctor.
Scorsese's pulpy asylum thriller divided critics sharply on release — some found it a masterclass in dread and atmosphere, others thought its elaborate machinery never produced genuine emotional stakes. Audiences were similarly cool at the time, yet the film has steadily built a devoted following that contemporary critics largely missed, a gap that has become its defining story.
“requires multiple viewings to be fully realized as a work of art. Its process is more important than its story, its structure more important than the almost perfunctory plot twists it perpetrates. It's a thriller, a crime story and a tortured psychological parable about collective guilt.”
John Anderson·The Wall Street Journal
“The movie is about: atmosphere, ominous portents, the erosion of Teddy's confidence and even his identity. It's all done with flawless directorial command. Scorsese has fear to evoke, and he does it with many notes.”
Roger Ebert·Chicago Sun-Times
“an aesthetically and at times intellectually exciting puzzle, but it's never emotionally involving”
Dana Stevens·Slate
“Something TERRIBLE is afoot. Sadly, that something turns out to be the movie itself.”
A. O. Scott·The New York Times
Drama, Mystery, Thriller