American tourists David and Jack are savagely attacked by an unidentified animal while hiking on the Yorkshire Moors. After retiring to the home of a beautiful nurse to recuperate, David soon begins experiencing disturbing changes to his body and mind.
A cult classic now, but one that divided critics at the time and still has genuine detractors: the tone-blending of horror and comedy is either its great strength or its fatal flaw depending on who you ask. Rick Baker's transformation effects are almost universally praised as landmark work, while the film's loose structure and tonal inconsistency remain the chief complaints. Contemporary critical opinion was lukewarm, and the film's reputation has grown substantially in retrospect through home video and horror fandom.
“An American Werewolf in London seems curiously unfinished, as if director John Landis spent all his energy on spectacular set pieces and then didn't want to bother with things like transitions, character development or an ending.”
Roger Ebert·Chicago Sun-Times
“not just gory but actually frightening, not just funny but clever”
Tom Huddleston·Time Out
“curious but oddly endearing mixture of horror film and spoof, of comedy and shock, with everything grist to its mill including tourist Britain and the wedding of Prince Charles. The special effects are notable and signaled new developments in this field.”
Halliwell's Film Guide
Comedy, Horror
American tourists David and Jack are savagely attacked by an unidentified animal while hiking on the Yorkshire Moors. After retiring to the home of a beautiful nurse to recuperate, David soon begins experiencing disturbing changes to his body and mind.
A cult classic now, but one that divided critics at the time and still has genuine detractors: the tone-blending of horror and comedy is either its great strength or its fatal flaw depending on who you ask. Rick Baker's transformation effects are almost universally praised as landmark work, while the film's loose structure and tonal inconsistency remain the chief complaints. Contemporary critical opinion was lukewarm, and the film's reputation has grown substantially in retrospect through home video and horror fandom.
“An American Werewolf in London seems curiously unfinished, as if director John Landis spent all his energy on spectacular set pieces and then didn't want to bother with things like transitions, character development or an ending.”
Roger Ebert·Chicago Sun-Times
“not just gory but actually frightening, not just funny but clever”
Tom Huddleston·Time Out
“curious but oddly endearing mixture of horror film and spoof, of comedy and shock, with everything grist to its mill including tourist Britain and the wedding of Prince Charles. The special effects are notable and signaled new developments in this field.”
Halliwell's Film Guide
Comedy, Horror